by Christina Baker Kline ‧ RELEASE DATE: Feb. 21, 2017
It’s thin on plot, but Kline’s reading group–friendly novel delivers a character portrait that is painterly, sensuous, and...
The real-life subject of an iconic work of art is given her own version of a canvas—space in which to reveal her tough personality, bruised heart, and “artist’s soul.”
The figure at the center of Andrew Wyeth’s celebrated painting Christina’s World has her back to the viewer, but Kline (Orphan Train, 2013, etc.) turns her to face the reader, simultaneously equipping her with a back story and a lyrical voice. Meet Christina Olson, “a middle-aged spinster” who narrates her life in segments, dodging back and forth between her origins and childhood and her adult life, all of this material rooted in the large Maine house built by her family, whose early members, relatives of Nathaniel Hawthorne, fled Salem in 1743. Born in 1893, Christina is a clever schoolgirl whose opportunity to train as a teacher will be obstructed by her parents, who need her to work at home. The progressive bone disease which makes mobility difficult and brings constant pain scarcely reduces her ceaseless domestic workload. At age 20 she has one tantalizing chance at love, but after that Christina’s horizons shrink until the day in 1939 when a friend introduces her to 22-year-old Andrew Wyeth. Christina, now 46, discovers a kindred spirit and Wyeth, a kind of muse whom he will paint several times. Kline lovingly evokes the restricted life of a sensitive woman forced to renounce the norms of intimacy and self-advancement while using her as a lens to capture the simple beauty of the American farming landscape: “The flat nails that secure the weather clapboards, the drip of water from the rusty cistern, cold blue light through a cracked window.”
It’s thin on plot, but Kline’s reading group–friendly novel delivers a character portrait that is painterly, sensuous, and sympathetic.Pub Date: Feb. 21, 2017
ISBN: 978-0-06-235626-0
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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SEEN & HEARD
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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