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WAITING FOR THE ELECTRICITY

Indeed, he’s one of the most fully realized characters in recent memory, and readers will take much pleasure in going along...

A wise, funny debut novel that finds endless entertainment in cultural differences and clashing personality types.   

Part Candide, part Zorba, Slims Achmed Makashvili is a maritime lawyer in the mountainous nation of Georgia, where, as Nichol’s picaresque yarn opens, it is the last day of summer, when “everyone was trying to blacken their bodies before the weather changed.” Makashvili, though, has other things than beachgoing and the impending winter on his mind. Tired of living in a country where electrical power can’t be taken for granted, but still proud of living in a town that “looks like chipped paint,” he’s gotten wind of a U.S. State Department grant program designed to teach third-world types about the virtues of capitalism. He sends off a carefully written letter to Hillary Clinton, exulting, “As You can see, Batumi offers You and Your country great business opportunity!” In return, he wins a slot in an internship program in San Francisco, where he puts his avid mind to work concocting wild schemes to enliven his country’s livestock industry; writing to excuse himself from work one day, for instance, he avers that he’s never sick at home because “we always drink the milk of the sheep,” though, in an aside to readers, he allows that it was really the milk of the goat: “But, as I learned, it is okay to lie in a commercial.” Makashvili is well-meaning and honest, but he can’t help but get into Borat-like mischief, and his stay in the golden land of America—which, he has discerned, isn’t quite so golden after all—doesn’t end well. Nichol writes with sharp, knowing exactitude of both Georgia (where she once taught English) and her native Bay Area, and though Makashvili is a figure of jape and jest, he’s by no means a caricature.

Indeed, he’s one of the most fully realized characters in recent memory, and readers will take much pleasure in going along on his adventures—and misadventures.

Pub Date: June 26, 2014

ISBN: 978-1-4683-0686-6

Page Count: 336

Publisher: Overlook

Review Posted Online: May 21, 2014

Kirkus Reviews Issue: June 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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