An elegant, evocative debut, by a 26-year-old Australian storywriter.
It’s 1854, and a fragile 16-year-old girl is forced to leave England for Australia—an arduous voyage she is unlikely to survive.
Sarah Garnett, homesick, beset by nightmares and waking visions of the lover she longs for, is confined below decks with other unmarried women. Their life aboard the half-rotten ship is a delicately drawn parody of Victorian gentility: they fashion paper roses; promenade occasionally under the watchful eye of their stern chaperone; confide in each other, spy on each other, fight, and wonder about the unknown new world they sail toward. Madness is commonplace: the matron who guards what remains of their virtue has abandoned her own sons in New South Wales to pursue ghosts: her husband and baby died at sea and she can no longer live on land. A sailor who dared to cook and eat an albatross has gone completely insane, rolling in treacle and feathers and howling in misery. Disease is a constant threat, and an outbreak of typhus carries off more than one hapless victim. One of their number gives birth in secret to an illegitimate daughter, then dies within hours. The grieving young women open her trunk in search of mementos, and find only a moldering wedding dress. Manners and minds dissolve in the suffocating heat of the tropical latitudes, but Sarah clings to sanity by writing letter after letter to her parents, remembering her childhood idylls in the English countryside with her brother and sister—and with Richard, the cousin she was not permitted to marry. Imagining her pregnancy as a fish she swallowed that now trembles inside her, Sarah finally succumbs to a feverish madness of her own, lost in aqueous hallucinations. The irony of this is not lost on her: Mrs. Garnett, her mother, feared any contact with water, refusing even to drink it, but willingly set her daughter adrift on an ocean that the girl would cross but once.
An elegant, evocative debut, by a 26-year-old Australian storywriter.Pub Date: July 1, 2001
ISBN: 0-393-32160-6
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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