An ambitious collection that fails more often than it shines.

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MUSCA DOMESTICA

The Barnard New Women Poets Prize was awarded to this first collection of enormously imaginative poems written by the winner of a recent fellowship from the Fine Arts Work Center and a grant from the Colorado Council on the Arts. From the deceptively simple title (musca domestica is Latin for housefly) to the poems focusing on such philosophically sophisticated subjects as the meaning of meaning, everyday life is presented as we rarely consider it—skewed and in language and syntax designed to please linguists more than ordinary readers. Hume’s titles intrigue: “Lies Concerning Speed,” “Map Drawn from Memory by My Brother,” “Total Things Known about Motion,” “A Million Futures of Late.” At the same time, the poems themselves are puzzles, the best of them in the simultaneous spirits of Wallace Stevens and E.E. Cummings (“Didn’t you see it sky the sum?”), the least simply confusing, as if the speaker were caught in a world in which all images were surreal (“I shuffle layers of pulp / feathering gossip”) and most syntax was arranged as if to duplicate that of a foreign tongue. Some poems contain striking, meaningful ideas or images (“Because the unadorned always subject the adorned to their proofs”; “from a rock jetty / five monks ease their hems / into the river”), but a reader must wade through too much weedy language to reach these few brilliances. In one of the collection’s most successful poems, “Articulate Initials,” Hume fantasizes actual lives within the illustrations surrounding illuminated letters. Here her description remains singularly focused, with the fine result that she reaches unexpected but earned epiphanic conclusions. Too many poems in the book offer only dispersed images and so many of them per poem that any luminosity is diluted.

An ambitious collection that fails more often than it shines.

Pub Date: April 21, 2000

ISBN: 0-8070-6859-4

Page Count: 96

Publisher: Beacon

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2000

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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When a book has such great comic timing, it's easy to finish the story in one sitting.

THE HONEY-DON'T LIST

A toxic workplace nurtures an intoxicating romance in Lauren’s (The Unhoneymooners, 2019, etc.) latest.

Rusty and Melissa Tripp are the married co-hosts of a successful home-makeover show and have even published a book on marriage. After catching Rusty cheating on Melissa, their assistants, James McCann and Carey Duncan, are forced to give up long-scheduled vacations to go along on their employers' book tour to make sure their marriage doesn’t implode. And the awkwardness is just getting started. Stuck in close quarters with no one to complain to but each other, James and Carey find that the life they dreamed of having might be found at work after all. James learns that Carey has worked for the Tripps since they owned a humble home décor shop in Jackson, Wyoming. Now that the couple is successful, Carey has no time for herself, and she doesn’t get nearly enough credit for her creative contribution to their media empire. Carey also has regular doctor’s appointments for dystonia, a movement disorder, which motivates her to keep her job but doesn’t stop her from doing it well. James was hired to work on engineering and design for the show, but Rusty treats him like his personal assistant. He’d quit, too, but it’s the only job he can get since his former employer was shut down in a scandal. Using a framing device similar to that of Liane Moriarty’s Big Little Lies, the story flashes forward to interview transcripts with the police that hint at a dramatic ending to come, and the chapters often end with gossip in the form of online comments, adding intrigue. Bonding over bad bosses allows James and Carey to stick up for each other while supplying readers with all the drama and wit of the enemies-to-lovers trope.

When a book has such great comic timing, it's easy to finish the story in one sitting.

Pub Date: March 24, 2020

ISBN: 978-1-9821-3864-6

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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