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THE TRUE DEFINITION OF NEVA BEANE

A quietly affecting portrait of an aspiring activist logophile as a black Philly girl.

The NAACP Image Award–nominated author of Riding Chance (2016) cultivates another tale of blossoming blackness in the soil of her hometown of Philadelphia.

Geneva “Neva” Beane, 12, uses her Merriam Webster’s Collegiate Dictionary and its definitions to help her describe and navigate the world as much as the author uses the vocabulary words to frame each chapter. Neva’s world is filled with the increasingly agitating presence of her 16-year-old lifeguard brother, Clayton, and her lovingly well-intentioned, sometimes brusque grandparents Nana and Granddad, who are rearing the siblings while their parents pursue their musical dreams in Europe. It shifts when she reassesses her developing body, her familial relationships, and her friendship with her bestie, Jamila, through the upending presence of Michelle Overton, the 13-year-old across-the-street neighbor whom Neva describes as “hot and happening” and whom Granddad and Nana suspect of being “trouble” by involving Clayton in social activism, which they eschew for quieter forms of community service. Soon, Michelle’s friendship with Clayton leads to her befriending Neva, creating escalating tension between Neva and Jamila as well as Neva and her guardians. Will Neva’s belief in words help her believe in herself, her body, her family and friends, and her place in her politically expanding world? Through Neva’s intelligent narration, Kendall explores contemporary debates to young readers, making them plain and personal.

A quietly affecting portrait of an aspiring activist logophile as a black Philly girl. (Fiction. 10-12)

Pub Date: Sept. 15, 2020

ISBN: 978-1-338-32489-1

Page Count: 240

Publisher: Scholastic

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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GHOST GIRL

A didactic blueprint disguised as a supernatural treasure map.

A girl who delights in the macabre harnesses her inherited supernatural ability.

It’s not just her stark white hair that makes 11-year-old Zee Puckett stand out in nowheresville Knobb’s Ferry. She’s a storyteller, a Mary Shelley fangirl, and is being raised by her 21-year-old high school dropout sister while their father looks for work upstate (cue the wayward glances from the affluent demography). Don’t pity her, because Zee doesn’t acquiesce to snobbery, bullying, or pretty much anything that confronts her. But a dog with bleeding eyes in a cemetery gives her pause—momentarily—because the beast is just the tip of the wicked that has this way come to town. Time to get some help from ghosts. The creepy supernatural current continues throughout, intermingled with very real forays into bullying (Zee won’t stand for it or for the notion that good girls need to act nice), body positivity, socio-economic status and social hierarchy, and mental health. This debut from a promising writer involves a navigation of caste systems, self-esteem, and villainy that exists in an interesting world with intriguing characters, but they receive a flat, two-dimensional treatment that ultimately makes the book feel like one is learning a ho-hum lesson in morality. Zee is presumably White (as is her rich-girl nemesis–cum-comrade, Nellie). Her best friend, Elijah, is cued as Black. Warning: this just might spur frenzied requests for Frankenstein.

A didactic blueprint disguised as a supernatural treasure map. (Supernatural. 10-12)

Pub Date: Aug. 10, 2021

ISBN: 978-0-06-304460-9

Page Count: 288

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: June 10, 2021

Kirkus Reviews Issue: July 1, 2021

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I'M OK

A work of heavy, realistic fiction told with oddball humor, honesty, and heart.

When Korean-American Ok Lee loses his father in a construction accident, he and his mom must fend for themselves financially while quietly grieving.

Middle schooler Ok watches as his mother takes on multiple jobs with long hours trying to make ends meet. Determined to help, he sets his sights on his school’s talent show. The winner takes home $100 in cash, enough to pay the utilities before they get cut off. His search to find a bankable talent is complicated by unwanted attention from bully Asa, who’s African-American, and blackmail at the hands of a strange classmate named Mickey, who’s white. To make matters worse, his mother starts dating Deacon Koh, “the lonely widower” of the First Korean Full Gospel Church, who seems to have dubious motives and “tries too hard.” Narrator Ok navigates this full plot with quirky humor that borders on dark at times. His feelings and actions dealing with his grief are authentic. Most of the characters take a surprising turn, in one way or another helping Ok despite initial, somewhat stereotypical introductions and abundant teasing with racial jokes. Although most of the characters go through a transformation, Ok’s father in comparison is not as fleshed-out, and Asa’s African-American Vernacular English occasionally feels repetitive and forced.

A work of heavy, realistic fiction told with oddball humor, honesty, and heart. (Fiction. 10-12)

Pub Date: Oct. 9, 2018

ISBN: 978-1-5344-1929-2

Page Count: 288

Publisher: Atheneum

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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