Sánchez has captured a kaleidoscope of emotion and powerful sensations in a way children will grasp completely. It’s The...

READ REVIEW

HERE I AM

Beautiful, evocative pictures tell the story of a boy who comes from an Asian land to a big U.S. city.

Images in this virtually wordless, slender graphic novel range from dreamlike curlicues to bold, dark cityscapes and emotional vignettes. The boy looks out of the window of a plane, great sadness in his body language. He and his father, mother and baby sister go through a crowded airport and a noisy and bewildering city to a small apartment. He finds the subway and the streets confusing, and he does not understand anything at school. The boy cherishes a red seed he has evidently brought from home. By accident, he drops it out the apartment window and then goes on a frantic search for it, finding new and interesting places along the way. He discovers he loves big, salted pretzels and shares some with the pigeons. When a girl with bouncy braids and beads in her hair climbs a tree and hangs upside down, the red seed falls out of her pocket. She and the boy plant it together, and as the seasons pass, friendship, seed and baby sister grow. An author’s note describes the storyteller’s voyage at age 4 from Korea to Washington, D.C.

Sánchez has captured a kaleidoscope of emotion and powerful sensations in a way children will grasp completely. It’s The Arrival for younger readers. (Graphic novel. 5-10)

Pub Date: Sept. 13, 2013

ISBN: 978-1-62370-036-2

Page Count: 40

Publisher: Capstone Young Readers

Review Posted Online: Aug. 3, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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Utterly compelling.

WHEN I WAS EIGHT

The authors of Fatty Legs (2010) distill that moving memoir of an Inuit child’s residential school experience into an even more powerful picture book.

“Brave, clever, and as unyielding” as the sharpening stone for which she’s named, Olemaun convinces her father to send her from their far-north village to the “outsiders’ school.” There, the 8-year-old receives particularly vicious treatment from one of the nuns, who cuts her hair, assigns her endless chores, locks her in a dark basement and gives her ugly red socks that make her the object of other children’s taunts. In her first-person narration, she compares the nun to the Queen in Alice in Wonderland, a story she has heard from her sister and longs to read for herself, subtly reminding readers of the power of literature to help face real life. Grimard portrays this black-cloaked nun with a scowl and a hooked nose, the image of a witch. Her paintings stretch across the gutter and sometimes fill the spreads. Varying perspectives and angles, she brings readers into this unfamiliar world. Opening with a spread showing the child’s home in a vast, frozen landscape, she proceeds to hone in on the painful school details. A final spread shows the triumphant child and her book: “[N]ow I could read.”

Utterly compelling. (Picture book/memoir. 5-9)

Pub Date: April 1, 2013

ISBN: 978-1-55451-490-8

Page Count: 32

Publisher: Annick Press

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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An absorbing read for young makers and dreamers.

THE FANTASTIC FERRIS WHEEL

THE STORY OF INVENTOR GEORGE FERRIS

Heeding the call to “make big plans” for the 1893 Chicago World’s Fair, George Ferris designed—and built—the giant observation wheel that now bears his name.

Kraft’s clear narrative sets the stage for the Columbian Exposition. Following on the 19th century’s spectacular achievements in architecture and engineering, a sense of competition prevailed: the fair’s organizers stood in the shadow of the Eiffel Tower, erected for France’s 1889 World’s Fair. Ferris’ friends and Chicago's fair organizers doubted his plans for their sheer scale: how could a 26-story-tall wheel with 36 cars, each designed to carry 60 passengers, be safely constructed and operated? Ferris found investors and refined his plans. Finally, in December 1892—just 4 1/2 months before the opening—the committee gave Ferris the nod. The engineering challenges, coupled with the harsh Chicago winter, lend drama to the text; Salerno’s richly detailed compositions extend it. Using traditional mixed media as well as Adobe Photoshop to layer, compose, and add color, the artist’s full-bleed pictures exhibit dizzying perspective and inventive composition, adding plenty of detail, including fairgoers in period dress. A color palette of blue, green, and ochre evokes vintage postcards. Withstanding a tornado in Chicago, Ferris’ wheel served again at the 1904 St. Louis World’s Fair before its eventual scrapping. Kraft credits Ferris’ enduring feat; a tall gatefold depicts the London Eye.

An absorbing read for young makers and dreamers. (biographical note, sources) (Informational picture book. 5-9)

Pub Date: Oct. 13, 2015

ISBN: 978-1-62779-072-7

Page Count: 40

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: July 22, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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