With its timely premise, clear-cut messages, and appealing female characters, this novel is bound for book-club glory.
The longtime friendship between a Black newscaster and a White woman married to a cop is tested by a tragedy.
Riley and Jen have been besties since girlhood, and as this debut novel from Pride and Piazza opens, they are both realizing their dreams. Riley is in line to be the lead anchor at the local TV station, and Jen has finally, after many tries and a loan from Riley for one last IVF procedure, gotten pregnant. But Jen's husband, Kevin, is a Philadelphia police officer, and he and his partner have just shot a 14-year-old Black boy while pursuing a suspect with a completely different description. The old friends' rock-solid connection is stretched to its limit as each is swept into her role in the tragedy, Riley as conduit for the voice of the bereaved family and one of the most visible members of the city's Black community, Jen isolated among her husband's racist relatives and terrified by Kevin's increasingly disastrous prospects. On the downside, the setup seems a bit on-the-nose, and as the plot takes on everything from microaggression to profiling to lynching, the effect is sometimes a bit preachy. "How many marches have there been? How many calls for justice? How many lawsuits? How many 'national conversations about race'?" On the other hand, this is an area where preaching and teaching can be forgiven. The most unlikely or at least unpredictable aspect of the story—a deep friendship that crosses both race and class boundaries—is the most interesting, as the women go from easily sharing jokes about Riley running on colored-people time and Jen being a trailer-trash Gwyneth Paltrow to having their connection become starkly politicized, public, and problematic. By keeping the friendship at the heart of the plot, the authors balance topical concerns with character-driven storytelling.
With its timely premise, clear-cut messages, and appealing female characters, this novel is bound for book-club glory.Pub Date: Oct. 5, 2021
ISBN: 978-1-9821-8103-1
Page Count: 336
Publisher: Atria
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
BOOK REVIEW
SEEN & HEARD
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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