by Christopher Andersen ‧ RELEASE DATE: July 10, 2012
Skip it and read Life instead.
Journalist and best-selling celebrity biographer Andersen (William and Kate: A Royal Love Story, 2010, etc.) brings his taste for the titillating tales of British royalty to this breezy, shamelessly shallow recap of rock god Mick Jagger’s life so far.
Not surprisingly, considering Jagger’s well-known lack of interest in his autobiography, the author didn’t spend any time talking to the subject of his book. He lifts all Jagger quotes from other sources, as well as those of Jagger’s band mates, family and closest friends. (Much of Andersen’s description of Jagger’s boyhood hometown seems to have relied heavily on Keith Richards’ memoir, Life.) Andersen tried to make up for this lack of cooperation from the immediate circle by speaking to scores of the star’s past lovers and business associates, including Marianne Faithfull, Bianca Jagger, Andrew Oldham and the late Ahmet Ertegun of Atlantic Records. The author does well enough with the material he had to work with, giving the story all the verve of a 300-page People story. (He was once senior editor at that celebrity-celebrating weekly.) Readers who know nothing about Jagger or the Rolling Stones will get the basic story: the development of Jagger’s iconic androgyny, the drug busts, Altamont, the tax exile, the knighthood, the brotherly love and rivalry between Jagger and Richards, and the women—especially the women. Readers will eventually realize that Jagger’s sex life has been vastly more important to his identity, if not his fame, than his career as an artist. Those who know something about Jagger and care about rock ’n’ roll will learn little from this book.
Skip it and read Life instead.Pub Date: July 10, 2012
ISBN: 978-1-4516-6144-6
Page Count: 372
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Aug. 21, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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