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A SEASON PAST

THREE SHORT STORIES

An affecting assemblage of tales that deftly dramatize the ghastly costs of violence.

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Three narratives—two novellas and a short story—explore the struggles warriors face.

In the first of Bartley’s novellas, A Season Past, an infamous gunfighter, Coltrane, sells his prospecting land in Alaska and moves to Crystal, Utah, in search of peace and solitude. But that tranquility proves exasperatingly elusive—wherever he goes, his reputation precedes him, and he’s always met with a mixture of fear and hostility. Coltrane does his best to keep to himself, doggedly haunted by nightmares of past violence, but Sheriff Bryant holds a grudge against him for killing his uncle and remains committed to driving him out of town. Meanwhile, Coltrane develops feelings for Elisabeth, a woman engaged to one of the local deputies, a romantic opportunity as enticing as it seems doomed. In the second novella, The Cold Ardennes, an unnamed protagonist returns from fighting in World War II to a Texas town where he is now a stranger. He’s warned that “strangers in this town don’t stand a chance.” He struggles to find work, and is pulled into a bank heist by a girl named Sally, who sent him a Dear John letter while he was overseas. And in the short story “Those Apache Tears,” a young park ranger, Nikki-Boy, wrestles with the consequences of his military service in Vietnam. He’s a Native American and his own people refuse to celebrate his laudable efforts, resentful that he’s become a “pawn” of a government that has historically oppressed them. While each of the author’s artfully melancholic stories can be read independently of the others, the group is thematically united by an unsentimental appraisal of combat. As the protagonist of the second novella plainly but poignantly puts it: “Sir, there was nothing adventurous about killing. It was hard, slogging, ugly work that never got easier the more you did it. It involved a lot of mud and cold and noise during the artillery barrages. Men don’t die easily, they never do.”

Bartley’s writing is poetically threadbare and powerful—he eludes the common temptation to tell a romanticized tale about heroic triumph. Instead, he unflinchingly presents the grimness of fighting in all of its ugliness, and the ways in which it bedraggles the souls of its participants. For example, Coltrane never permits himself a moment of idealistic self-delusion: “But he knew he had never been a hero. He had tried to kill the men who were trying to kill him. That was all.” The short story is the weakest of the bunch, and the most laboriously didactic—it flirts dangerously with delivering a moralistic sermon while its companion tales show more than tell. But overall, the book is a candid look not only at the damage done to warriors, but also the harsh reception they often receive from those for whom they offered their sacrifices.

An affecting assemblage of tales that deftly dramatize the ghastly costs of violence.

Pub Date: Oct. 7, 2019

ISBN: 978-1-78036-393-6

Page Count: 361

Publisher: Peach Publishing

Review Posted Online: May 21, 2020

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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STITCHED

Simply charming.

A lovable gaggle of competitive quilters attempts to defy the odds.

The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.

Simply charming.

Pub Date: Sept. 8, 2026

ISBN: 9798890920461

Page Count: 260

Publisher: Torrey House Press

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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