by Christopher Benfey ‧ RELEASE DATE: July 9, 2019
An accessible and enlightening biography.
An examination of Rudyard Kipling’s life and work through the lens of the years he spent living in the United States.
Many scholars regard the once-popular writer as little more than the “jingoist Bard of Empire.” In this book, Benfey (English/Mount Holyoke Coll.; Red Brick, Black Mountain, White Clay: Reflections on Art, Family, and Survival, 2012, etc.) discusses Kipling's little-discussed but highly productive “Vermont decade” to suggest that he became “the writer we know…because of his deep involvement with the United States.” Benfey begins in 1889, the year Kipling traveled from Bombay to London via a route that took him east through the U.S., where he began a friendship with Mark Twain and visited the homes of other American literary idols including Ralph Waldo Emerson and Henry Wadsworth Longfellow. When he arrived in London in 1890, he met an American, whom he married in 1892. On a whim, the pair bought land in Vermont while on their honeymoon. But after Kipling’s savings were unexpectedly wiped out by a financial panic, they returned to New England to settle. There, Kipling, determined to become an American writer, conceived or wrote some of his greatest works: Kim, a book that would later become a must-read for CIA operatives; Captain’s Courageous, which he called his “first genuine out and out American story"; and the The Jungle Book, a novel Benfey argues arose in part as Kipling’s response to Vermont surroundings that made him feel he was “living in a lawless jungle.” On a visit to Washington, D.C., the writer met the imperialist war hawk and rising political star Theodore Roosevelt, whom he befriended. Kipling hated the “saber-rattling” he observed among American politicians, but he also believed—as he would suggest in his poem “The White Man’s Burden”—that the U.S. needed to “assume its share of the responsibilities of empire.” Intelligent and well-researched, Benfey’s book accomplishes a delicate feat by highlighting the complexity of Kipling’s life and work without seeking to minimize his colonialist, racist views.
An accessible and enlightening biography.Pub Date: July 9, 2019
ISBN: 978-0-7352-2143-7
Page Count: 256
Publisher: Penguin Press
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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