by Christopher Benfey ‧ RELEASE DATE: July 9, 2019
An accessible and enlightening biography.
An examination of Rudyard Kipling’s life and work through the lens of the years he spent living in the United States.
Many scholars regard the once-popular writer as little more than the “jingoist Bard of Empire.” In this book, Benfey (English/Mount Holyoke Coll.; Red Brick, Black Mountain, White Clay: Reflections on Art, Family, and Survival, 2012, etc.) discusses Kipling's little-discussed but highly productive “Vermont decade” to suggest that he became “the writer we know…because of his deep involvement with the United States.” Benfey begins in 1889, the year Kipling traveled from Bombay to London via a route that took him east through the U.S., where he began a friendship with Mark Twain and visited the homes of other American literary idols including Ralph Waldo Emerson and Henry Wadsworth Longfellow. When he arrived in London in 1890, he met an American, whom he married in 1892. On a whim, the pair bought land in Vermont while on their honeymoon. But after Kipling’s savings were unexpectedly wiped out by a financial panic, they returned to New England to settle. There, Kipling, determined to become an American writer, conceived or wrote some of his greatest works: Kim, a book that would later become a must-read for CIA operatives; Captain’s Courageous, which he called his “first genuine out and out American story"; and the The Jungle Book, a novel Benfey argues arose in part as Kipling’s response to Vermont surroundings that made him feel he was “living in a lawless jungle.” On a visit to Washington, D.C., the writer met the imperialist war hawk and rising political star Theodore Roosevelt, whom he befriended. Kipling hated the “saber-rattling” he observed among American politicians, but he also believed—as he would suggest in his poem “The White Man’s Burden”—that the U.S. needed to “assume its share of the responsibilities of empire.” Intelligent and well-researched, Benfey’s book accomplishes a delicate feat by highlighting the complexity of Kipling’s life and work without seeking to minimize his colonialist, racist views.
An accessible and enlightening biography.Pub Date: July 9, 2019
ISBN: 978-0-7352-2143-7
Page Count: 256
Publisher: Penguin Press
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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