by Christopher Bensinger ‧ RELEASE DATE: Feb. 4, 2025
An intriguing historical tale undermined by overwrought prose.
In Bensinger’s World War II–set novel, an American pilot is captured by the Nazis and sent to a prison camp.
In 1944, Charlton “Charlie” Buckley has every reason to flee his sleepy hometown of Wauwatosa, Wisconsin: His physically abusive father William tyrannizes the family and forbids him to date the woman he loves, Sandee Gold, because she’s Jewish (“Her father’s a fancy doctor on Milwaukee Avenue. I read the write-up on him in the neighborhood directory. Goes to Temple. Big shot, Dr. Gold. A Jew kike is what he is. No doubt overcharging the sick”). Moreover, he has no future there—passed over by baseball scouts, the best he can hope to do is follow in his father’s footsteps and become a mechanic. He falls deeply in love with Sandee and proposes to her—she’s “the real McCoy,” he boasts to his fellow soldiers, an example of one of the many cliches in this sentimental novel. As soon as Charlie turns 18, he enlists in the Army Air Force Corps hoping to become a combat pilot and is deployed to Europe to operate a C-47, a dangerous role. In fact, he’s shot down on his very first mission and captured by Nazi soldiers on the outer perimeter of the Ardennes Forest. A “Catholic-baptized choir boy misidentified as an American Jewish soldier,” he is incarcerated at the Berga 2 prison camp and suffers relentless brutality, including 14-hour work shifts and starvation. The author follows Charlie’s plight in the wake of the war as well, and the trauma he carries with him, a pain only deepened by the U.S. government’s insistence he never acknowledge the existence of the camp that was the site of his torment.
Bensinger shines a light on a feature of the conflict largely neglected—the internment of captured American soldiers in German labor camps during the war. This is a fascinating topic, and the historical verisimilitude the author achieves is laudable. He also cogently explores the extraordinary antisemitism rampant in the United States at the time, including its presence within the ranks of the very military sent to crush Hitler—it was as common as it was respectable. However, the author’s literary treatment of the war is excessively melodramatic, as is his rendering of the romance between Charlie and Sandee. Consider this treacly exchange between the two: “‘I’m not letting you go, Charlton. To the army, yes, but not from me. Do you understand?’ ‘I’ll be back with my wings and take you up higher than you’ve ever been.’ ‘Kissing you does that for me, Charlie. Kiss me.’” Such insipid passages unfortunately pervade throughout the entirety of the novel, making it impossible to fully engage with the dark material presented. Especially given the superfluity of such lachrymose prose—the events themselves are heart-wrenching enough without poetic embellishment—this style comes off as emotionally manipulative, the proverbial jerking of tears. Ultimately, the captivating subject matter is overshadowed by Bensinger’s overheated writing. The author must be given his due credit for the exciting premise, but his execution is not equal to it.
An intriguing historical tale undermined by overwrought prose.Pub Date: Feb. 4, 2025
ISBN: 9781637559604
Page Count: 256
Publisher: Subplot
Review Posted Online: April 25, 2025
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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