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NO WAY TO TREAT A FIRST LADY

Unspeakably and endlessly funny. Unless you’re a former president.

Wicked humorist Buckley shoots fish in a barrel and makes them dance.

The targets in this sendup of Washington—trial lawyers, first families, Court TV, MSNBC, Dan Rather, the FBI, the Secret Service, and the American appetite for the awful—are the last decade’s scandals, which, rather than being gluey and unbearable in the reheating, are even more fun this time around. The setup is the death of America’s philanderer-in-chief Ken McMann after an exhausting round of hide the salami with songwriter, mother of mercy to the Middle East, and extremely generous campaign donor Babette Van Anka in the Lincoln bedroom. The game was complicated by the strange refusal of the executive salami to de-tumesce, and US president made it back to his own bedroom in the small hours only to run into the buzzsaw of a wide-awake Elizabeth Tyler “Beth” McMann, First Lady of the Land. There was the usual and, considering the situation, thoroughly justifiable screaming fight, but the couple eventually tucked in for the night. Alas, dawn revealed a dead president and, since the presidential forehead bore the imprint of Paul Revere’s mark from the bottom of the sterling spittoon hurled by Mrs. M., the new First Widow is charged with murder. To her rescue comes Boyce “Shameless” Baylor, America’s top trial lawyer, the man who successfully defended athletic wife murderer J. J. Bronco. It’s not the first meeting for Beth and Boyce. Before she threw him over for handsome, hard-charging war hero Ken McMann in law school, Beth and Boyce had been an item. And, although it was she who picked up the phone and called for help, she can’t help wondering whether, being still a little sore at her, he might throw the match. But Baylor’s competitive instincts are as unquenchable as the late president’s lust, and Beth is still a dish. The battle is joined. It’s a lulu.

Unspeakably and endlessly funny. Unless you’re a former president.

Pub Date: Oct. 15, 2002

ISBN: 0-375-50734-5

Page Count: 320

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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