by Christopher Buckley ‧ RELEASE DATE: Sept. 6, 2022
This is Buckley at his comic, mischievous best.
Humorist Buckley looks at one man’s increasingly strange behavior during the pandemic.
In a South Carolina coastal town, a screenwriter confronts the bathroom scale after a year of pandemic overeating. His belly blocks any view of his toes; thus the title. He tells his agent, “I’ve put on so much weight people are calling me Bubba the Hutt.” And when his prescribed appetite suppressants don’t keep him from ordering burger combos at the Hippo King takeout window, his doctor adds another pill. Soon he finds ideas starting to flow for a movie about a Nazi plot to kidnap FDR from Bernard Baruch’s South Carolina estate. At the same time, he somehow gets involved in the local election for coroner. He’s not sure how, because he has been easily distracted in recent days and slips into odd fantasies or down rabbit holes doing impulsive web research. And he’s starting to forget things. Buckley delights in exploring the intersections of plausible and absurd as they arise in an off-kilter mind that resembles the author’s for all its allusive gymnastics and silliness. The minisaga of his hero’s stumbling into local politics via the coroner’s election—it appears Putin is interfering in the race—resonates with memories of the movie The Russians Are Coming, while an ancient ruse of Hannibal’s becomes a stampede of flaming feral Hungarian pigs in the Nazi screenplay. All this brings our hero to a point where he is sitting on a beach, naked but for a string of sausages wrapped around his torso, “hoping that baby turtles don’t hatch and mistake our testicles for turtle num-nums.”
This is Buckley at his comic, mischievous best.Pub Date: Sept. 6, 2022
ISBN: 978-1-9821-9804-6
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by TJ Klune ‧ RELEASE DATE: April 28, 2026
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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