A strong collection of memoiristic writing that illuminates African womanhood while blending diverse styles and experiences.
Conte, a former Wall Street Journal reporter, collects 15 autobiographical essays by Ugandan women that question stereotypes of African femininity.
This anthology will introduce myriad new voices, some from Uganda’s women writers’ association, FEMRITE, to Western readers. All share an interest in reconciling traditional and Western practices. The opener, “My Name” by Nakisanze Segawa, uses names as cogent symbols of Christian and African values; she tells of how a hospital cashier refused to register her because she abandoned her “Christian” name in homage to Nigerian author Chinua Achebe. In another essay, Lydia Namubiru, who was raised Catholic, tells of how she feared demons ever since she witnessed an exorcism as a child: “There are no standards for balancing our imported faiths with our ancestral ones,” she notes. “Most people…straddle the fence.” The title piece by Caroline Ariba beautifully explores the gulf between educated, working women like herself and village women who bear many children, desperate for a son and heir. One of the responsibilities of ssengas, or paternal aunts, is to initiate girls into marriage and motherhood rites, and in Shifa Mwesigye’s “Ssengas and the Single Woman,” the collection’s standout, a bridal shower provides the occasion for a witty yet incisive dissection of gender roles. In it, a ssenga advocates total deference to one’s husband: kneeling, feeding him first, and washing him after sex. Although her friends laugh at this old-fashioned advice, Mwesigye recognizes that careful evaluation of traditional customs is healthier than knee-jerk rejection and that lessons on caring and service are valuable no matter their source. Two pieces on tomboy-hood seem repetitive, but most of the essays reveal fresh facets of African experience. For example, Peace Twine, in “Wife of the Enemy,” tells of enduring false arrest and months in a maximum security prison. In “No Time for Pain,” Harriet Anena artfully displaces the trauma of years in refugee camps using second-person narration, while haunting anonymous essays disclose sexual abuse and lesbian identity. “Change comes slowly,” Laura Walusimbi laments in her concluding piece on corporal punishment, later adding, “There are so many new challenges and no easy answers.”
A strong collection of memoiristic writing that illuminates African womanhood while blending diverse styles and experiences.Pub Date: June 3, 2015
ISBN: 978-1-5076-8022-3
Page Count: 178
Publisher: CreateSpace
Review Posted Online: Sept. 9, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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