by Christopher de Bellaigue ‧ RELEASE DATE: Jan. 4, 2005
A welcome, illuminating peak behind the 21st century’s equivalent of the Iron Curtain.
An Anglo-French journalist married to an Iranian woman attempts to reconcile the joys of his adopted land with its grim cruelty.
Journalist de Bellaigue, who has written about the Middle East and South Asia for The Economist, The New York Review of Books and other highbrow publications, here turns his eye on the nation he’s called home for the past five years: the Islamic Republic of Iran. The author states that he wants to show readers the heart of a country whose people are friendly and lead a rich cultural life, yet also believe—sometimes fanatically—in a religion that glorifies death. And for the most part he accomplishes this goal, giving us a rare glimpse into a world most Westerners would consider bizarre. An Islamic seminarian, for example, steers clear of using his free time at night to memorize incantations, fearing that he will begin to repeat them ceaselessly and go insane. But the same man trusts himself enough to flirt with evil and wonder about the taste of wine, a forbidden indulgence under Koranic law. Such examples can feel like trees in a forest as we plow through episode after episode of exotic Iranian life: athletic clubs with homoerotic overtones, testimonials from soldiers who endured Saddam Hussein’s gas attacks, a female activist seeking to avenge the murders of her politically dissident parents. De Bellaigue employs literary devices in his narrative to sometimes powerful effect, as when he describes the way Ayatollah Khomeini’s revolution has died but still reverberates through the capital: “Living in Tehran is like listening to the sea in a shell.” At other times—for example, when he adopts the first-person voice of a soldier fighting in the Iran-Iraq war—the conceits seem too gimmicky. Never tiresome, however, are his stellar passages on the Iranian side of still-fresh history, including the Iran-Contra scandal. Many of the Iranians involved were executed for dealing with infidels.
A welcome, illuminating peak behind the 21st century’s equivalent of the Iron Curtain.Pub Date: Jan. 4, 2005
ISBN: 0-06-620980-3
Page Count: 320
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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