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PATRIOT OF PERSIA

MUHAMMAD MOSSADEGH AND A TRAGIC ANGLO-AMERICAN COUP

A pleasing combination of intriguing local color and cultural and historical depth.

Economist Tehran correspondent De Bellaigue (Rebel Land: Unraveling the Riddle of History in a Turkish Town, 2010, etc.) uses plenty of local insight to provide general readers with an intriguing combination of biography, history and strategic study.

Muhammad Mossadegh's influence still lives in the imagination of Iranians. His family estate is a place of pilgrimage, even while the Ayatollahs denounce him as a British agent. The author dissolves the black and white of this posturing into more ambiguous grays, portraying Mossadegh as a constitutionalist attempting to combine the movements of democrats and the Islamic faithful who, known for nationalizing the country's oil, also introduced wide-ranging reforms of property ownership, education and women's rights, many of which were later repealed. Months before the 1953 coup, Mossadegh failed to recognize the agreement offered to him. De Bellaigue portrays the young Shah as a fearful, vacillating leader who frequently undercut his own supporters, thereby providing opportunities to opponents like Mossadegh. The author also examines the profound rift between America and Britain, with the latter, particularly under Churchill, stubbornly reluctant to make concessions on oil even as its position was undermined by American profit-sharing agreements with other producers. Ultimately, Cold War politics brought the two countries together. De Bellaigue's history brings together elements of miscomprehension, accident, chance, surprise, mistaken loyalties and revenge-driven shifts in political alliances. In exploring the story of Mossadegh and his family, the author also shows how Iran, because of its oil, became a pawn in the Anglo-Russian rivalry.

A pleasing combination of intriguing local color and cultural and historical depth.

Pub Date: May 15, 2012

ISBN: 978-0-06-184470-6

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: May 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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