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SUMMER OF DELIVERANCE

A MEMOIR OF FATHER AND SON

This moving memoir by the famous poet’s son pulls no punches: James Dickey was a hard-drinking, prevaricating braggart whose bad behavior destroyed his family. Even so, to Christopher Dickey he was “father-poet-god” whom he loved in spite of his anger and bitterness. There was a reconciliation of sorts between Dickey and his son, Christopher (Innocent Blood, 1997, etc.), in the year or so prior to his death in January 1997. Christopher had limited contact with his father for nearly 20 years following the death of his mother in 1976. Dickey had a history of drunken loutishness and philandering; his son believes it was that and a mean-spirited neglect that drove his mother to drink herself to death. Two months after her funeral, Dickey married a student younger than Christopher. “I read about it in People,” writes the son. By all accounts, it was a violent marriage that included batterings and stabbings—of Dickey by his young, drug-addicted wife. Things started to unravel for the family, according to Christopher, with the widespread success of Deliverance and the film made from the novel. The younger Dickey was a stand-in during the filming and got a close-up view of his father’s dealings with director John Boorman and actors Burt Reynolds and Jon Voight. Dickey would leave the set in a snit: “Boorman had said he was interfering too much. Said the actors were upset by his presence.” He would return, of course, and play a memorable part as the sheriff. But for the younger Dickey, his father’s embarrassing, obnoxious behavior was only outdone by his “righteous fury” at his father for “settling for less . . . for artistic compromises” in the making of the film. Dickey’s latter years saw him alternate between the celebrated, half-mad poet he had been and the sick, pathetic drunkard he became. An amazing portrait of a man who was a destructive force with a larger-than-life ego and who was also a man of intense passion, high intellect, and a delicate, artistic sensitivity. (First serial to the New Yorker)

Pub Date: Aug. 1, 1998

ISBN: 0-684-84202-5

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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