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THE WOODS

The protagonist’s troubled back story is well-trod territory, but his uncertain future keeps things lively.

In debut author Viceconte’ coming-of-age novel, a teenager’s attempt at redemption leads him from suburbia to jail to a shaky future.

How did David, a 16-year-old with a loving father who grew up in the safe suburbs of Connecticut, come to get caught trying to transport four pounds of marijuana out of New York City? Prior to his arrest, David had been kicked out of a boarding school in New Hampshire for fighting and was having trouble adjusting to life back in Connecticut. He felt like a stranger in his hometown and was failing most of his classes. Lucky for David, in the eyes of the law, he is a minor, and in the eyes of his father, James, he is a smart kid who made a mistake. James sends David to a program for troubled teens called Blue Ridge Outdoors. David will hike in the woods, learn how to start a fire without matches, and become accustomed to life without cigarettes. The exorbitant program is run by a shifty, closeted alcoholic named Paul, but where else can a boy with a violent past and a rap sheet straighten out? The opening chapters of the book, in which the reader learns about David and his degenerate friends, teems with characters Bret Easton Ellis might have dreamed up. The problem is that even the most degenerate of the bunch—a boy named Steven who gets into his own drug-fueled trouble with the law—would likely get laughed out of Less Than Zero for being too soft. The story picks up immensely with David’s departure for Blue Ridge Outdoors. Ellis (and writers who emulate him) have created young people that have done unspeakable things, but what would happen if you sent such youngsters into the forest for reform? David’s time in the program is full of possibilities. David is told not to concern himself with what lies ahead (“No FI, No Future Information” one of his counselors explains), and the reader, likewise, is kept guessing about how things will unfold for the reckless teenager. The suspense comes in finding out what David must do to succeed and what kind of person he’ll be when it’s all over.     

The protagonist’s troubled back story is well-trod territory, but his uncertain future keeps things lively. 

Pub Date: July 10, 2017

ISBN: 978-1-5214-1799-7

Page Count: 271

Publisher: CreateSpace

Review Posted Online: Aug. 2, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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