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THE BORGIAS AND THEIR ENEMIES

1431-1519

Knowledgable but not particularly compelling.

Ill-focused, overstuffed portrait of the powerful Pope Alexander VI and his ambitious children, by prolific British historian Hibbert (Napoleon, His Wives and Women, 2002, etc.).

Born Rodrigo Borgia in 1431, the ruthless, dissolute but rigorously competent family patriarch received the papal tiara in 1492, probably because of the ample bribes he bestowed. As Alexander VI, he worked to consolidate his position amid Rome’s violence and squalor. He used his children by courtesan Vannozza de’ Catanei to great political advantage, and Hibbert’s spotlight flickers intermittently on them. Beautiful, accomplished daughter Lucrezia was married off several times, first into the illustrious Sforza family and later to the Duke of Este. Eldest son Cesare, made a cardinal at age 18, showed his prowess best in seducing women and in the field of battle. Alexander VI sided with Naples against the avaricious advances of France and Milan, and in gratitude Alfonso II of Naples in 1494 gave his daughter Sancia in marriage to the pope’s 12-year-old son Jofrè. However, when King Louis XII offered Cesare a French duchy and a French bride in 1498, the ever-opportunistic young man cast off his cardinal’s hat and headed up France’s invading forces. Cesare made glorious conquests in Romagna, hiring Leonardo da Vinci as his architect and general engineer and becoming the “splendid and magnificent” prince described by Niccolò Machiavelli in 1502. Nonetheless, the secretive, unscrupulous Borgias had many enemies, and Cesare’s position was drastically weakened by his father’s death in 1503. His lands were confiscated, and he was twice imprisoned before his death during a siege in 1507. Lucrezia managed to outlive her family’s infamy and died an estimable lady of Ferrara in 1519. Hibbert is so preoccupied with the admittedly juicy ins and outs of the Borgias’ political maneuvers that he neglects to offer much in the way of human interest.

Knowledgable but not particularly compelling.

Pub Date: Oct. 1, 2008

ISBN: 978-0-15-101033-2

Page Count: 336

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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