Ineffably, incoherently, inexplicably inane.
Legendary lady pirate Anne Bonny improbably becomes a feminist heroine in this florid reimagining of her life and crimes, courtesy of Time magazine senior editor Farley (My Favorite War, 1996).
The story begins in County Cork around the turn of the 18th century, where Anne, privileged only child of a prosperous landowner, asserts her independence in sporting competition with other children, unaware that her family’s fortunes are imperiled. Her father’s gambling debts send him to America, and Anne and her “Ma” in later pursuit of him aboard a ship carrying slaves (and dangers), whereupon Anne ends up essentially orphaned and alone in South Carolina, thence—spurred by a conveniently acquired love of seafaring—to the Bahamas, where she dresses as a man and auditions, as it were, for a freebooter’s career. “I am of a sufficient height and with broad enough shoulders, that my secret was never guessed,” she confides, relating her exploits from the perspective of old age. Tavern-hopping, she meets Erroll Flynn–like pirate Calico Jack Rackam, joins his dastardly crew aboard the William, and embarks on the adventure she feels born for (“I never felt my womanhood so intensely as when I became a man of the sea”). Astonishments proliferate, as the William savages Spanish galleons, earning vast riches and the notoriety that brings its “men” to the gallows—saving Anne and a captured seaman, Read (also possessed of a remarkable secret). Well, why not? Our Heroine is a paragon of ethnic and gender sensitivity whose adaptation to the piratical “lifestyle” (her word) is eased by her matchless daring, eloquent familiarity with Shakespeare and the classics, and supremacy at chess (the latter skill impresses Calico Jack and leads to his happy discovery of her more purely biological attributes). Absurdity rules the waves, justice is served and bonny Anne lives on to tell thee.
Ineffably, incoherently, inexplicably inane.Pub Date: July 1, 2005
ISBN: 1-4000-8245-5
Page Count: 336
Publisher: Three Rivers/Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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