Succeeds in both respecting and enriching the venerable original.


A new translation of the Old English classic alongside two sturdy sequels.

Though the monstrous Grendel has been defeated by the conclusion of the original epic poem, the story ends on a cliffhanger: The titular hero is dead, and the future of his people is uncertain. In his sequels, Webber (American to the Backbone, 2011 etc.) picks up right where Beowulf left off, with the Geatish people struggling to maintain their power and security. When a mission to defeat the nearby Swedes goes catastrophically wrong, Beowulf’s young comrade Wiglaf insists that the Geats must abandon their homes and sail in search of a new, peaceful land. The first sequel (Beyond Beowulf, first published in 2006) is the story of that search, the challenges the tribe faces—raging storms, fearsome trolls—and the people it encounters along the way. Yrfa’s Tale, the second sequel, covers the same ground, but it does so retrospectively in the voice of Wiglaf’s wife. Rather than discussing battles and glory, Yrfa focuses on the emotional effects of the journey and what they ultimately mean for the Geats’ future. Webber’s translation of the original Beowulf is meticulous and vivid. In the introduction, he states his intention to preserve the text’s aural effect by following a strict alliterative structure akin to the original’s; indeed, his translation’s clean, musical lines are excellent for reading aloud. The two sequels also maintain the original’s language and narrative style. Tonally, however, Beyond Beowulf rings slightly off. Wiglaf’s constant insistence on peace and cooperation jars against Beowulf’s glorification of bloodshed and warfare; as such, it feels uncomfortably modern. Yrfa’s Tale is the real standout of the trilogy. Yrfa’s reflections on family and relationships bring an immediate humanity and realism to the epic tale that the other two volumes lack, and those universal themes are likely to appeal to a contemporary audience while remaining true to Beowulf’s original context. Yrfa’s beautifully rendered emotions are enjoyable and enlightening: “The phantoms that I fear the most are formless / And hold their power in the human heart.”

Succeeds in both respecting and enriching the venerable original.

Pub Date: July 31, 2012

ISBN: 978-1475108309

Page Count: 382

Publisher: CreateSpace

Review Posted Online: Oct. 23, 2012

Kirkus Reviews Issue: Dec. 15, 2012

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A YA novel that treats its subject and its readers with respect while delivering an engaging story.



In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.

In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.

A YA novel that treats its subject and its readers with respect while delivering an engaging story.

Pub Date: Jan. 1, 2004

ISBN: 978-1591940173

Page Count: 152

Publisher: Townsend Press

Review Posted Online: Jan. 26, 2013

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A short, simple, and sweet tale about two friends and a horse.

Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A


Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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