Succeeds in both respecting and enriching the venerable original.
A new translation of the Old English classic alongside two sturdy sequels.
Though the monstrous Grendel has been defeated by the conclusion of the original epic poem, the story ends on a cliffhanger: The titular hero is dead, and the future of his people is uncertain. In his sequels, Webber (American to the Backbone, 2011 etc.) picks up right where Beowulf left off, with the Geatish people struggling to maintain their power and security. When a mission to defeat the nearby Swedes goes catastrophically wrong, Beowulf’s young comrade Wiglaf insists that the Geats must abandon their homes and sail in search of a new, peaceful land. The first sequel (Beyond Beowulf, first published in 2006) is the story of that search, the challenges the tribe faces—raging storms, fearsome trolls—and the people it encounters along the way. Yrfa’s Tale, the second sequel, covers the same ground, but it does so retrospectively in the voice of Wiglaf’s wife. Rather than discussing battles and glory, Yrfa focuses on the emotional effects of the journey and what they ultimately mean for the Geats’ future. Webber’s translation of the original Beowulf is meticulous and vivid. In the introduction, he states his intention to preserve the text’s aural effect by following a strict alliterative structure akin to the original’s; indeed, his translation’s clean, musical lines are excellent for reading aloud. The two sequels also maintain the original’s language and narrative style. Tonally, however, Beyond Beowulf rings slightly off. Wiglaf’s constant insistence on peace and cooperation jars against Beowulf’s glorification of bloodshed and warfare; as such, it feels uncomfortably modern. Yrfa’s Tale is the real standout of the trilogy. Yrfa’s reflections on family and relationships bring an immediate humanity and realism to the epic tale that the other two volumes lack, and those universal themes are likely to appeal to a contemporary audience while remaining true to Beowulf’s original context. Yrfa’s beautifully rendered emotions are enjoyable and enlightening: “The phantoms that I fear the most are formless / And hold their power in the human heart.”
Succeeds in both respecting and enriching the venerable original.Pub Date: July 31, 2012
ISBN: 978-1475108309
Page Count: 382
Publisher: CreateSpace
Review Posted Online: Oct. 23, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Review Program: Kirkus Indie
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.
Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.Pub Date: Nov. 11, 2017
ISBN: 978-1-943169-32-0
Page Count: 212
Publisher: Plum Street Press
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A YA novel that treats its subject and its readers with respect while delivering an engaging story.
In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.
In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.
A YA novel that treats its subject and its readers with respect while delivering an engaging story.Pub Date: Jan. 1, 2004
ISBN: 978-1591940173
Page Count: 152
Publisher: Townsend Press
Review Posted Online: Jan. 26, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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