Next book

COYOTE BLUE

Lust proves the catalyst that reconnects a hotshot insurance salesman with his buried Indian past, and with a spirit guide he'd prefer to avoid: a fast-paced and funny, if somewhat fragmented, follow-up to Moore's Practical Demonkeeping (1992). Sam Hunter, formerly Samson Hunts Alone of the Crow reservation in Montana, left home in a hurry as a teenager after throwing a cop over a dam, established himself successfully in L.A. as an unflappably congenial insurance hustler, only to have his past catch up with him 20 years later when he stops to gawk at a gorgeous, leggy blond on his way to an appointment. A mysterious Indian appears in his life at the same time, and within 24 hours Sam has lost his job, his condo, and his equilibrium. The blond, Calliope, leaves him hopelessly in love after a first date, while the Indian, by changing into a coyote, a raven, a mosquito, and other shapes, is revealed as none other than the Trickster, Old Man Coyote of Indian legend. Having appeared to Sam as a boy on his first vision-quest, Coyote now wants to put the grown man's successful but empty life in order, but when Sam begs for a return to normalcy, Coyote complies—and Calliope vanishes. The two follow her to Las Vegas, where Coyote gambles away all of Sam's money and his car, but they team up with her in traveling to South Dakota to rescue her son, abducted by her crazed biker ex-husband. In a getaway with the boy, Calliope is killed—but when Coyote later makes the ultimate sacrifice in Crow Country, she magically revives for the sappiest of happy endings. Lively and loopy, and certainly imaginative, but the conventional underpinnings offer little support for frequent flights of fantasy, yielding an entertaining but hollow romantic adventure. (First printing of 50,000)

Pub Date: March 1, 1994

ISBN: 0-671-88188-4

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1994

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview