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A Tale of Life & War

Intriguing wartime tale well-told and cleverly plotted in an authentic historical setting.

Awards & Accolades

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A college student learns respect from a military veteran in author Morin’s debut novel.

At the University of Maine at Orono, procrastinating senior Matthew Switzer struggles to write a paper on the American GI experience in Europe. Michelle Kessler, an attractive coed, suggests he meet with her grandfather Henry “Hank” Mitchell, a former lieutenant and fighter pilot in the Army Air Forces during World War II. Initially, Matt asks some rather inappropriate questions—How many Germans did you kill? How many of your friends were killed in combat? What was it like to see your friends die?—that offend Hank: “This isn’t research,” he says, “it’s just plain disrespectful, morbid curiosity from a child who has no more concept of that time period than a garden slug!” After admonishing Matt, Hank tells of his participation in a top-secret mission in May 1944, one that took him over the English Channel into occupied France to destroy enemy targets, including a Nazi bunker. Hank and his fellow recruits had doubts about the poorly conceived mission; crew members weren’t even allowed escape kits in case they were stranded behind enemy lines. After crashing, Hank was welcomed by kindly French farmers, the Tessiers, who hid him from the Germans in Jolieville, Normandy. Eventually, Hank was captured and interrogated by SS officer Steinert, a self-declared British double agent who facilitated Hank’s escape into hiding with the LeBlanc family: lovely Pauline and her three brothers, all dedicated members of the French Resistance. As the weeks passed, Pauline and Hank grew closer, but he distrusted Steinert, who pumped him for details about the Allied invasion. This stirring wartime account of the impending D-Day features solid dialogue and careful plotting, an exciting air battle sequence, and effective use of period detail, as with, in a pivotal scene, a phonograph loudly playing “The Flying Dutchman” by Richard Wagner, a favorite composer of the Third Reich. Matt’s pre-graduation jitters as he moves from disrespect to admiration provide an entree to the past. But this is Hank’s story, tangled as it was with Steinert’s, whose psyche was split by conflicting loyalties. As sole survivor of a top-secret military mission, Hank found himself in the unenviable position of being distrusted by the Allies, an unfortunate coda for his sacrifice and service.

Intriguing wartime tale well-told and cleverly plotted in an authentic historical setting.

Pub Date: N/A

ISBN: 978-1-63381-006-8

Page Count: 571

Publisher: Maine Authors Publishing

Review Posted Online: July 7, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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