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A Tale of Life & War

Intriguing wartime tale well-told and cleverly plotted in an authentic historical setting.

Awards & Accolades

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A college student learns respect from a military veteran in author Morin’s debut novel.

At the University of Maine at Orono, procrastinating senior Matthew Switzer struggles to write a paper on the American GI experience in Europe. Michelle Kessler, an attractive coed, suggests he meet with her grandfather Henry “Hank” Mitchell, a former lieutenant and fighter pilot in the Army Air Forces during World War II. Initially, Matt asks some rather inappropriate questions—How many Germans did you kill? How many of your friends were killed in combat? What was it like to see your friends die?—that offend Hank: “This isn’t research,” he says, “it’s just plain disrespectful, morbid curiosity from a child who has no more concept of that time period than a garden slug!” After admonishing Matt, Hank tells of his participation in a top-secret mission in May 1944, one that took him over the English Channel into occupied France to destroy enemy targets, including a Nazi bunker. Hank and his fellow recruits had doubts about the poorly conceived mission; crew members weren’t even allowed escape kits in case they were stranded behind enemy lines. After crashing, Hank was welcomed by kindly French farmers, the Tessiers, who hid him from the Germans in Jolieville, Normandy. Eventually, Hank was captured and interrogated by SS officer Steinert, a self-declared British double agent who facilitated Hank’s escape into hiding with the LeBlanc family: lovely Pauline and her three brothers, all dedicated members of the French Resistance. As the weeks passed, Pauline and Hank grew closer, but he distrusted Steinert, who pumped him for details about the Allied invasion. This stirring wartime account of the impending D-Day features solid dialogue and careful plotting, an exciting air battle sequence, and effective use of period detail, as with, in a pivotal scene, a phonograph loudly playing “The Flying Dutchman” by Richard Wagner, a favorite composer of the Third Reich. Matt’s pre-graduation jitters as he moves from disrespect to admiration provide an entree to the past. But this is Hank’s story, tangled as it was with Steinert’s, whose psyche was split by conflicting loyalties. As sole survivor of a top-secret military mission, Hank found himself in the unenviable position of being distrusted by the Allies, an unfortunate coda for his sacrifice and service.

Intriguing wartime tale well-told and cleverly plotted in an authentic historical setting.

Pub Date: N/A

ISBN: 978-1-63381-006-8

Page Count: 571

Publisher: Maine Authors Publishing

Review Posted Online: July 7, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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