A fascinating addition to the growing shelf of Springsteen studies, probably best read in doses.
A career-spanning collection of interviews with The Boss.
There is little doubt that Bruce Springsteen is among the most influential and important rockers of all time. The many books about him are only a small measure of his cultural impact. However, while critical and popular opinions about Springsteen’s work may change with time, there will always be The Boss’ own words about his career. Phillips and Masur (Lincoln's Hundred Days: The Emancipation Proclamation and the War for the Union, 2012, etc.), noted Springsteen scholars in their own right, have collected this definitive volume of interviews, even transcribing rare TV and radio broadcasts. The book charts Springsteen’s evolution from a withdrawn New Jersey teen playing the local bar circuit to an international rock star. From Springsteen’s earliest interview in 1973 with the Asbury Park Evening Press, which described his demeanor as “characteristically sullen,” to discussions with major media outlets like Rolling Stone, Entertainment Weekly, and 60 Minutes, Springsteen has, above all else, maintained a consistent philosophy of music first, never allowing triviality or ego to take over. He has proved this ethos time and again during his marathon live shows, always remaining honest to the audience, never conforming “to the formula of always giving the audience what it wants.” There is much to glean from Springsteen’s insights as he talks about his unpleasant upbringing in New Jersey or how, upon seeing Elvis’ infamous waist-up performance on Ed Sullivan in his early teens, he decided to dedicate himself to music. While the collection very clearly navigates a narrative of Springsteen’s life, it is a narrative already well-known by many and one that Springsteen is content to perpetuate throughout these interviews. As Springsteen admitted to Mojo in 2006, “Trust the art, be suspicious of the artist. He’s generally untrustworthy.” There is the music, after all.
A fascinating addition to the growing shelf of Springsteen studies, probably best read in doses.Pub Date: Aug. 20, 2013
ISBN: 978-1-62040-072-2
Page Count: 464
Publisher: Bloomsbury
Review Posted Online: June 12, 2013
Kirkus Reviews Issue: July 1, 2013
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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