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FINDING HER GONE

A fine, magnetic debut novel.

Awards & Accolades

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Reclusive psychologist Kit Gillespie muses upon the death of his world-wandering longtime girlfriend Julia in Taylor's (Travel Light & Other Stories, 2013) debut novel.

On a train to Montreal, Kit sketches an attractive Asian woman whom he christens “Alice.” He’s finally taking a trip away from Ottawa after finding out that Julia drowned “up north.” She was an ESL teacher who sought assignments around the world while Kit worked as a “decent therapist—easy-to-talk-to and boring-to-be with.” He is also, as Julia called him, a “hermit” who didn’t even attend the wedding of good friend Alf in Scotland. In Montreal, Kit keeps sketching, a hobby that he never revealed to Julia, and also begins a relationship with cafe owner Louise, initially introducing himself under a different name. He crosses paths with “Alice,” who is actually Sally, a psychiatrist. Kit goes out to dinner with her but is spooked by her intense questioning. He returns to Ottawa to see his current patients; ruminate on his ongoing friendship with former patient Angela, who often probes him about Julia; and reread Julia’s letters, the only form of communication he had with her when they were apart. He sends some of these letters to Sally, which leads to intensive therapy sessions with her back in Montreal and new steps for Kit, including a trip to Scotland and possibly more travels to come. First-time novelist Taylor (Travel Light & Other Stories, 2013) brings a key character from his previous short story collection into this beautifully written first-person narrative that fits within the tradition of A Gesture Life and The Remains of the Day. While Julia drowned, it’s Kit who is truly underwater; Taylor creates a well-drawn portrait of this character’s struggle for self-awareness and expression, particularly in the scenes depicting Kit’s secret sketching and enjoyment of Ottawa parks. The description of Julia’s final journey late in the novel is a bit rushed and confusing, although it also serves, as do most details in this narrative, to show Kit’s shifting perspective.

A fine, magnetic debut novel.

Pub Date: Feb. 2, 2015

ISBN: 978-1460262023

Page Count: 336

Publisher: FriesenPress

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: June 15, 2015

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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