A powerful, if not always orderly, analysis of ethnic and religious identity.
Wise, a professor specializing in Africa and the Middle East, explores his own identity in this nonfiction work.
“My mother,” writes the author, “told me she didn’t even like Jews, despite having married one. His mother was Scots Irish and Muskogee; much of Wise’s lifelong study of religion and ethnicity stems from his family’s complex web of identities. An “olive-skinned man with black kinky hair,” the author’s father was a devout Zionist who “attended synagogue on Saturdays” before receiving the Eucharist at Catholic mass on Sundays. The book opens with the poignant story of Wise’s great-uncle, Arthur, a Jewish-American GI who helped liberate Dachau. Passed down through the family was photographic documentation Arthur had taken of the concentration camp (photos that are featured at the end of this book) that made its way into Wise’s possession after Arthur died by suicide, in his way another victim of the Holocaust. This book blends the author’s exploration of his own family’s complicated family tree with his decades-long research as a professor at Western Washington University. A four-time Fulbright scholar who has written, edited, or translated more than a dozen academic books and articles, Wise is an expert on the African Sahel. A predominantly Muslim region that includes Mali, Burkina Faso, and Niger, the Sahel has its own complicated history with religion and ethnic identity. Many part-Arab Muslims in the region, for instance, “believe they are superior to black Muslims because they are blood descendants of the Prophet Muhammad.” Similarly, some of the major Arabic cultural features of the Middle East’s Islamic world “are unknown in West Africa.” With fewer than 140 pages, this is a relatively concise book, but its division into only four chapters makes for an occasionally unwieldy read that eschews a chronological (or even thematic) approach as it jumps across multiple timelines. Despite this disorganization, the book offers poignant insights into the intersection of religion, ethnicity, and racism, from Oklahoma and Nazi Germany to West Africa and the Levant. It also doubles as an accessible introduction to Islamic Africa.
A powerful, if not always orderly, analysis of ethnic and religious identity.Pub Date: Jan. 3, 2024
ISBN: 979-8873777556
Page Count: 146
Publisher: Independently Published
Review Posted Online: Feb. 14, 2024
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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