Next book

A DUKE CHANGES EVERYTHING

A solid Victorian romance with appealing characters that suffers somewhat from a lack of original beats.

First in a new Victorian series about three self-made London men, focusing on a beastly casino owner-cum-duke, the castle he inherited, and the shrewd, stubborn steward who doesn't want him to abandon it.

Nicholas Lyon is the ruthless and powerful owner of the most popular casino in London. Only some know he is also the second son of the late Duke of Tremayne, because he fled from violent abuse at the hands of his deranged father, spending his teen years on the streets. Everything Nicholas has, he earned, but a gnawing hunger for more persists. When his wastrel older brother dies, Nicholas inherits the title and returns reluctantly to Enderley Castle in Sussex. He plans to sell off the contents of the castle and lease the estate, never to return to the place that gave him his ghastly facial scar and still gives him night terrors. But the duke’s plans are imperiled when he meets his unexpectedly female—and attractive—steward, Mina Thorne. Nick is shocked "[to find] beauty in this blighted place.” For Mina, Enderley Castle is not only her livelihood, but her home and all she has ever known. She wants Nicholas to "see it differently, not as a burden but as an opportunity.” Their mutual attraction grows as they come to know each other. Carlyle (How to Woo a Wallflower, 2017) is less reliant than many of her peers on repressed desire and sexual situations to move the plot forward, instead focusing on friendship and romance, to good effect. Nicholas’ emotional confrontation with his buried past dominates the narrative, but Carlyle wisely makes room for Mina’s own arc, one in which she comes to question whether her devotion to Enderley is rooted not just in virtue, but also in fear of change. While the book is enjoyable, the author relies on too many popular tropes (the self-made aristocrat is especially overdone) without introducing fresh elements to compensate.

A solid Victorian romance with appealing characters that suffers somewhat from a lack of original beats.

Pub Date: Nov. 27, 2018

ISBN: 978-0-06-285395-0

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: Sept. 1, 2018

Kirkus Reviews Issue: Sept. 15, 2018

Next book

THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Next book

ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

Close Quickview