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A DUKE CHANGES EVERYTHING

A solid Victorian romance with appealing characters that suffers somewhat from a lack of original beats.

First in a new Victorian series about three self-made London men, focusing on a beastly casino owner-cum-duke, the castle he inherited, and the shrewd, stubborn steward who doesn't want him to abandon it.

Nicholas Lyon is the ruthless and powerful owner of the most popular casino in London. Only some know he is also the second son of the late Duke of Tremayne, because he fled from violent abuse at the hands of his deranged father, spending his teen years on the streets. Everything Nicholas has, he earned, but a gnawing hunger for more persists. When his wastrel older brother dies, Nicholas inherits the title and returns reluctantly to Enderley Castle in Sussex. He plans to sell off the contents of the castle and lease the estate, never to return to the place that gave him his ghastly facial scar and still gives him night terrors. But the duke’s plans are imperiled when he meets his unexpectedly female—and attractive—steward, Mina Thorne. Nick is shocked "[to find] beauty in this blighted place.” For Mina, Enderley Castle is not only her livelihood, but her home and all she has ever known. She wants Nicholas to "see it differently, not as a burden but as an opportunity.” Their mutual attraction grows as they come to know each other. Carlyle (How to Woo a Wallflower, 2017) is less reliant than many of her peers on repressed desire and sexual situations to move the plot forward, instead focusing on friendship and romance, to good effect. Nicholas’ emotional confrontation with his buried past dominates the narrative, but Carlyle wisely makes room for Mina’s own arc, one in which she comes to question whether her devotion to Enderley is rooted not just in virtue, but also in fear of change. While the book is enjoyable, the author relies on too many popular tropes (the self-made aristocrat is especially overdone) without introducing fresh elements to compensate.

A solid Victorian romance with appealing characters that suffers somewhat from a lack of original beats.

Pub Date: Nov. 27, 2018

ISBN: 978-0-06-285395-0

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: Sept. 1, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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