Olemaun’s spirit and determination shine through this moving memoir.
After two years in Catholic residential school, 10-year-old Olemaun returns to Tuktoyaktuk on Canada's Arctic coast, a stranger to her friends and family, unaccustomed to the food and clothing and unable to speak or understand her native language.
Margaret Pokiak's story continues after the events of Fatty Legs (2010), which described her boarding-school experience. In this stand-alone sequel, she describes a year of reintegration into her Inuvialuit world. At first, her mother doesn't even recognize her: “Not my girl,” she says. Amini-Holmes illustrates this scene and others with full-page paintings in somber colors. The sad faces echo the child's misery. Gradually, though, with the help of her understanding father, she readjusts—even learning to drive a dog team. She contrasts her experience with that of the man the villagers call Du-bil-ak, the devil, a dark-skinned trapper no one speaks to. She has a home she can get used to again; he would always be alien. The first-person narrative is filled with details of this Inuit family’s adjustment to a new way of life in which books and reading matter as much as traditional skills. A scrapbook of photographs at the end helps readers enter this unfamiliar world, as do the occasional notes and afterword.
Olemaun’s spirit and determination shine through this moving memoir. (Memoir. 8-12)Pub Date: Nov. 1, 2011
ISBN: 978-1-55451-362-8
Page Count: 124
Publisher: Annick Press
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: Oct. 15, 2011
A perfect addition to the bookshelves of culture, poetry, and art.
Curated by poet Hopkins, a collection of poems and illustrations sourced from a diverse pool of creators.
Each double-page spread or multipage sequence captures a childhood memory, an artist paired with a poet welcoming readers into an expansive space of youth and memory. Storyteller G. Neri describes his “Creole, Filipino, and Mexican” heritage as a “great example of globalization,” and other contributors celebrate their mixed cultural heritages: Juliet Menendez (Guatemalan/Irish), Janet S. Wong (Korean/Chinese), Janine Macbeth (Asian/black/white/Native), and Nick Bruel (Chinese/Belgian). Insoo Kim doubles down as a poet and illustrator in “Speak Up,” in which a young boy challenged to “say something Korean” confronts his dual identity as a U.S.–born Korean American. Poets and artists are generally paired loosely by identity, with Naomi Shihab Nye’s Palestinian heritage and Sawsan Chalabi’s Lebanese background contributing to their collaboration, for instance, and Abenaki author Joseph Bruchac’s poem “Rez Road” juxtaposed with Mohawk artist David Kanietakeron Fatdden’s symbolic painting. Brief statements by each creator accompany their contributions, and select vocabulary is defined discreetly in tiny type at the ends of poems. The compilation ends with a wonderful section that includes child and adult photos and bios of all of the book’s contributors, a nice touch that inspires, as it puts names to faces for youth to see that people of all cultures are accomplished artists.
A perfect addition to the bookshelves of culture, poetry, and art. (Picture book/poetry. 8-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-62014-311-7
Page Count: 56
Publisher: Lee & Low Books
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
A well-documented, highly condensed introduction with substantial visual appeal.
Highlights of the women’s suffrage movement in the U.S. in the second decade of the 20th century.
When young Americans Alice Paul and Lucy Burns, both white college graduates, met in London in June 1909, they formed a connection that would energize the next 11 years of activism for women’s suffrage in the United States. This very compact account encapsulates much of the information in stellar works for somewhat older readers such as Ann Bausum’s Of Courage and Cloth(2004) and Winifred Conkling’s Votes for Women(2018). Bartoletti recounts the women’s experiences in England during 1909, ending with the hunger strike and forced feeding at Holloway prison from which it would take Paul a month to recover. She details the organization of the 1913 parade in Washington for women’s suffrage on the eve of President Woodrow Wilson’s inauguration, taking care to bring attention to the struggle of black women such as Ida B. Wells to be recognized and included. The author also describes Paul’s continued protests and founding of the National Women’s Party as suffragists’ efforts met with ongoing resistance. Sidebars, captions, and the inclusion of photos and newspaper clippings add informative visual interest along with Chen’s clear, unaffected illustrations. Text and pictures convey the conflict and struggle without sensationalism. The inclusion of a photograph of the January 2017 Women’s March acknowledges that there is more work to be done.
A well-documented, highly condensed introduction with substantial visual appeal. (source notes, further reading, index) (Nonfiction. 8-11)Pub Date: May 19, 2020
ISBN: 978-0-06-284130-8
Page Count: 80
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
