A perfect addition to the bookshelves of culture, poetry, and art.

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I REMEMBER

POEMS AND PICTURES OF HERITAGE

Curated by poet Hopkins, a collection of poems and illustrations sourced from a diverse pool of creators.

Each double-page spread or multipage sequence captures a childhood memory, an artist paired with a poet welcoming readers into an expansive space of youth and memory. Storyteller G. Neri describes his “Creole, Filipino, and Mexican” heritage as a “great example of globalization,” and other contributors celebrate their mixed cultural heritages: Juliet Menendez (Guatemalan/Irish), Janet S. Wong (Korean/Chinese), Janine Macbeth (Asian/black/white/Native), and Nick Bruel (Chinese/Belgian). Insoo Kim doubles down as a poet and illustrator in “Speak Up,” in which a young boy challenged to “say something Korean” confronts his dual identity as a U.S.–born Korean American. Poets and artists are generally paired loosely by identity, with Naomi Shihab Nye’s Palestinian heritage and Sawsan Chalabi’s Lebanese background contributing to their collaboration, for instance, and Abenaki author Joseph Bruchac’s poem “Rez Road” juxtaposed with Mohawk artist David Kanietakeron Fatdden’s symbolic painting. Brief statements by each creator accompany their contributions, and select vocabulary is defined discreetly in tiny type at the ends of poems. The compilation ends with a wonderful section that includes child and adult photos and bios of all of the book’s contributors, a nice touch that inspires, as it puts names to faces for youth to see that people of all cultures are accomplished artists.

A perfect addition to the bookshelves of culture, poetry, and art. (Picture book/poetry. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-62014-311-7

Page Count: 56

Publisher: Lee & Low Books

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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Go adventuring with a better guide.

50 ADVENTURES IN THE 50 STATES

From the The 50 States series

Find something to do in every state in the U.S.A.!

This guide highlights a location of interest within each of the states, therefore excluding Washington, D.C., and the territories. Trivia about each location is scattered across crisply rendered landscapes that background each state’s double-page spread while diminutive, diverse characters populate the scenes. Befitting the title, one “adventure” is presented per state, such as shrimping in Louisiana’s bayous, snowshoeing in Connecticut, or celebrating the Fourth of July in Boston. While some are stereotypical gimmes (surfing in California), others have the virtue of novelty, at least for this audience, such as viewing the sandhill crane migration in Nebraska. Within this thematic unity, some details go astray, and readers may find themselves searching in vain for animals mentioned. The trivia is plentiful but may be misleading, vague, or incorrect. Information about the Native American peoples of the area is often included, but its brevity—especially regarding sacred locations—means readers are floundering without sufficient context. The same is true for many of the facts that relate directly to expansion and colonialism, such as the unexplained near extinction of bison. Describing the genealogical oral history of South Carolina’s Gullah community as “spin[ning] tales” is equally brusque and offensive. The book tries to do a lot, but it is more style than substance, which may leave readers bored, confused, slightly annoyed—or all three. (This book was reviewed digitally with 12.2-by-20.2-inch double-page spreads viewed at 80% of actual size.)

Go adventuring with a better guide. (tips on local adventuring, index) (Nonfiction. 8-10)

Pub Date: Oct. 6, 2020

ISBN: 978-0-7112-5445-9

Page Count: 112

Publisher: Wide Eyed Editions

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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AT THE SEA FLOOR CAFÉ

ODD OCEAN CRITTER POEMS

From snapping shrimp with bubble-shooting claws to the Osedax worm that digests whalebones on the ocean floor, intriguing and unusual sea creatures are introduced in this collection of 18 engaging poems written in a variety of forms. A paragraph or two of identification and explanation follow each poem. This attractive small volume is illustrated with hand-colored linoleum block prints set on a blue-green background that darkens page by page as the reader descends. “Dive In!” introduces the habitat, and, on the last page, “Hooray for the Sea and the ROV” celebrates the ocean and the vehicles humans use to explore its deepest parts. One piece calls for two voices, a leopard sea cucumber and an emperor shrimp. Shape poems introduce the violet snail and a swarm of krill. These poems lend themselves to reading aloud, and many are short and catchy enough to be easily memorized. Concluding with a helpful glossary, a clear explanation of the poetic forms that points out rhymes, patterns and beats, suggested further resources and acknowledgements, this is an ideal title for cross-curricular connections. This gathering of humorous poetry and fascinating facts should be welcomed as a companion to Bulion and Evans’ previous collaboration, Hey There, Stink Bug! (2006)—even the surprise among the school of krill on the endpapers will make readers smile. (Informational poetry. 8-12)

Pub Date: April 1, 2011

ISBN: 978-1-56145-565-2

Page Count: 48

Publisher: Peachtree

Review Posted Online: April 7, 2011

Kirkus Reviews Issue: March 1, 2011

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