Utterly compelling.
The authors of Fatty Legs (2010) distill that moving memoir of an Inuit child’s residential school experience into an even more powerful picture book.
“Brave, clever, and as unyielding” as the sharpening stone for which she’s named, Olemaun convinces her father to send her from their far-north village to the “outsiders’ school.” There, the 8-year-old receives particularly vicious treatment from one of the nuns, who cuts her hair, assigns her endless chores, locks her in a dark basement and gives her ugly red socks that make her the object of other children’s taunts. In her first-person narration, she compares the nun to the Queen in Alice in Wonderland, a story she has heard from her sister and longs to read for herself, subtly reminding readers of the power of literature to help face real life. Grimard portrays this black-cloaked nun with a scowl and a hooked nose, the image of a witch. Her paintings stretch across the gutter and sometimes fill the spreads. Varying perspectives and angles, she brings readers into this unfamiliar world. Opening with a spread showing the child’s home in a vast, frozen landscape, she proceeds to hone in on the painful school details. A final spread shows the triumphant child and her book: “[N]ow I could read.”
Utterly compelling. (Picture book/memoir. 5-9)Pub Date: April 1, 2013
ISBN: 978-1-55451-490-8
Page Count: 32
Publisher: Annick Press
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
A book that is as quietly inspiring as its subject.
Peaceful but forceful protest ended segregation in one Southern town.
The titular “seeds” are a metaphor for individual acts of nonviolence that led to desegregation in the city that is home to the George C. Marshall Space Flight Center, a federally funded facility. In the early 1960s, blacks staged sit-ins at lunch counters, listened to Dr. Martin Luther King Jr., and, before Easter, boycotted local clothing stores and participated in a Blue Jean Sunday. Bass writes in the present tense with a conversational tone and divides her story by date from July 1962 through September 1963. She includes details that will resonate with children while also imparting an inspirational message, tinged with her own civic pride (she is a former resident of Huntsville), about community activism. Lewis’ watercolor art portrays street scenes and townspeople’s faces. His full-page portrait of a little black girl in ruffled white ankle socks, holding a paper outline of her feet, is the most telling and poignant. She wants a new pair of shoes but cannot try them on. It’s an unfortunately timely book, as Huntsville is still in the news with court cases challenging de facto school segregation.
A book that is as quietly inspiring as its subject. (author’s note, photographs, selected bibliography) (Informational picture book. 5-8)Pub Date: Jan. 27, 2015
ISBN: 978-0-7636-6919-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: Oct. 14, 2014
Kirkus Reviews Issue: Nov. 1, 2014
BOOK REVIEW
An appealing and informative composition aimed at a younger audience than Marilyn Nelson and Jerry Pinkney’s Sweethearts of...
Women! Jazz! Integration!
In 1909, Dr. Laurence Clifton Jones founded a school and orphanage for black children in Mississippi, and in 1939, he started an all-girl swing band: the Sweethearts of Rhythm. Swing “was filled with energy!” The girls performed locally and throughout the country. In 1945, they played to enthusiastic soldiers as part of a USO tour brought about by a letter-writing campaign from African-American GIs. Writing in a folksy style, Deans describes the lives of the girls in the orphanage and on the road in Jim Crow territory; this, ironically, was made even more difficult after the band integrated. The infectious joy of swing music comes across nicely with details about instrumentation and performances. A scary encounter with the police is also described. Cepeda’s colorful and richly textured full-bleed acrylic-and-oil paintings match the mostly upbeat mood with illustrations of the women happily playing various instruments, joyfully askew compositions evoking the big-band beat. The group did not stay together, but the final illustration opens the way for more music as a now-elderly Sweetheart hands over her trumpet to a smiling girl. Readers will certainly want to grab recordings and dance and swing to the sounds.
An appealing and informative composition aimed at a younger audience than Marilyn Nelson and Jerry Pinkney’s Sweethearts of Rhythm (2009). (author’s note, selected bibliography) (Informational picture book. 6-9)Pub Date: Feb. 1, 2015
ISBN: 978-0-8234-1970-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: Nov. 10, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK REVIEW
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