By Palahniuk's standards, this is actually a subtle and empathic piece of work.
Less macho than most of Palahniuk's work, this Cinderella-with-sex-toys parable is the transgressive writer's attempt at a feminist (or post-feminist) novel.
Ever since he debuted with Fight Club (1996), the prolific Palahniuk has built a cult following by taking a series of provocative ideas and pushing them to the limit. And then past the limit. Here, the gimmick is a series of sex products designed for women, so effective that one satisfied customer exclaims, “Men are obsolete!...Anything a man can do to me, I can do better!” Women disappear from the public sphere to pleasure themselves in private, leaving “[a] world of furious, obsolete penises.” Though sex saturates the novel, its description is more clinical than libidinous, and the protagonist isn't focused only on one thing. Penny Harrigan is something of an all-American girl, an obedient daughter who has moved from Nebraska to work in a New York law firm. She idolizes the nation’s first female president and is told by the man who will change her life—and the course of the world—“I love you because you’re so average.” That man is C. Linus Maxwell, who “ran a group of corporations that led the world in computer networking, satellite communications, and banking” and who has become known in the tabloids as “Climax-Well.” They make for an improbable pair, particularly after his series of highly-publicized relationships with glamorous women, but it turns out that the mogul has long had big plans for Penny, ones that will show her not only the aptness of his nickname, but reveal to her his commercial plans “to enter the empty field of vaginas in a big way.” Their relationship ends, and they soon find themselves antagonists, as Penny warns the women of the world that their sexual liberation represents a more insidious form of coercion, based on “the idea of combining ladies’ two greatest pleasures: shopping and sex.”
By Palahniuk's standards, this is actually a subtle and empathic piece of work.Pub Date: Oct. 21, 2014
ISBN: 9780385538039
Page Count: 240
Publisher: Doubleday
Review Posted Online: Aug. 23, 2014
Kirkus Reviews Issue: Sept. 15, 2014
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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