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THE MYSTERY IN THE ROOM

A PHYSICIAN’S JOURNEY TREATING PATIENTS WITH RARE DISEASES

Engaging and often poignant recollections from a longtime doctor.

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A physician reflects on his multidecade career in rheumatology in this medical memoir.

Aside from a stint at the University of Pittsburgh’s Presbyterian University Hospital, Radis spent much of his medical career on Peaks Island in Maine’s Casco Bay. His Maine experiences lie at the center of his previous two books, Go by Boat (2021) and Island Medicine (2022), but this volume takes an intimate view of rheumatology via specific case studies. “Because nearly all immunologic disorders are life-long,” he writes, much of his consultation with patients requires a focus on “living with a chronic illness.” This means that he often formed a long-term connection with them, and many vignettes begin with an initial meeting with a patient who’s grappling with anxiety, anger, or denial. These evolve into multiyear relationships built on trust and mutual understanding, as physician and patient walk together through diagnosis, medication side effects, chronic pain, and the “relentless progression of their disease.” The book’s conversational style prevents it from being a typical how-to guidebook; indeed, many of its chapters read like medical-mystery TV shows as Radis pieces together clues from patient narratives, family histories, and test results. Interwoven throughout are anecdotes from Radis’ childhood, his education at Bates College, and his medical career: “It was never my goal to become a doctor,” he writes as he describes his early love of the outdoors, growing up in suburban New Jersey. Particularly interesting is his recollection of his father, who died when Radis was only 11: He was a chemical engineer for a plant that manufactured DDT in 1963, when he was asked by his bosses to debate environmental activist Rachel Carson on national television; he declined because “he agreed with her conclusions” after being “shaken to the core” by her book Silent Spring (1962).

What makes this book special, though, is not Radis’ story, but those of patients with whom he worked over the years. These include 12-year-old Amanda, who came to Radis after experiencing rashes, tongue ulcers, and balding, and Lynn, a second-grade teacher and new mother whose postpartum swelling of her fingers made it difficult even to hold her newborn. The book’s novelistic style includes detailed scene-setting, internal monologues, and reconstructed dialogue that offer deeply personal perspectives on each patient. Although the book is geared towards a general audience, it offers sage advice to those in the medical profession. He recalls a time, for example, when he “reprimanded” himself for initially prejudging a new patient and fearing that their conversation would “focus entirely on narcotics for pain.” He advocates for an “emerging philosophy of shared decision-making in patient care” that complements his belief that “patients must feel safe in being honest, making mistakes, [and] asking questions.” The book effectively balances medical realism with stories of resilience. A foreword by Leonard Calabrese (the Theodore F. Classen Chair of Osteopathic Research and Education at the Cleveland Clinic) adds gravitas to a book that aims to tear down the artificial divisions between patients and physicians.

Engaging and often poignant recollections from a longtime doctor.

Pub Date: Nov. 3, 2025

ISBN: 9798999909510

Page Count: 244

Publisher: N/A

Review Posted Online: Nov. 30, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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