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BLACKBIRDS

From the Miriam Black series , Vol. 1

A lean, mean fantasy novel that’s likely to leave readers dented and bruised.

A young woman cursed with a powerful paranormal ability takes drastic action to escape her fate.

The prolific and often profane Wendig (Zeroes, 2015, etc.) originally published this novel in the U.K. in 2012, and he seemed to catch readers by surprise with the foulmouthed, punk-rock girl at its heart. The first in a series, this delightfully vicious and bloody urban horror novel provides a perversely entertaining introduction to a dangerous fugitive with a little something special up her sleeves. Miriam Black is a chain-smoking, hard-drinking, deeply paranoid runaway who's been living with a unique curse for eight years: whenever she lays a hand on someone, she sees exactly, precisely when and how they're going to die. Sure, it freaks her out, but she doesn’t let it stop her from dropping in on perverts and low-lifes at the moments of their demises to lift their wallets. “The rule is, it’s one and done,” she tells one amateur sleuth. “I get the vision once. It doesn’t keep happening over and over again—though, I’ll tell you, some of the really bad ones will keep a girl up at night.” Miriam is disturbed when she touches Louis, a seemingly normal truck driver, only to discover that the last thing he says at the moment of his death is Miriam’s name. Soon, there are killers after her, and in order to survive the experience and figure things out, Miriam must go to extremes to learn whether fate can be beaten or not. This won’t be everyone’s cup of tea—Wendig spins his story with Tarantino-esque multiplicity, and the book’s pyrotechnic profanity, bloody ultraviolence, and lack of romance are unlikely to appeal to fans of Laurell K. Hamilton or Patricia Briggs. But for those who like their noir with a twist of horror, this novel provides an engaging blend of occult surrealism, nihilism, and startling violence.

A lean, mean fantasy novel that’s likely to leave readers dented and bruised.

Pub Date: Sept. 15, 2015

ISBN: 978-1-4814-5699-9

Page Count: 288

Publisher: Saga/Simon & Schuster

Review Posted Online: July 19, 2015

Kirkus Reviews Issue: July 15, 2015

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THE PRIORY OF THE ORANGE TREE

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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THE SOUTHERN BOOK CLUB'S GUIDE TO SLAYING VAMPIRES

Fans of smart horror will sink their teeth into this one.

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Things are about to get bloody for a group of Charleston housewives.

In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.

Fans of smart horror will sink their teeth into this one.

Pub Date: April 7, 2020

ISBN: 978-1-68369-143-3

Page Count: 400

Publisher: Quirk Books

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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