Another profane, gruesome, and blackly funny entry in a great series, with an ending to die for.
Miriam Black, the angel of death, the fate-breaker, the punk-rock death-whisperer, returns home to face the music.
It’s possible for an author writing a series to get lackadaisical about the ingredients: characters who stay the same, doing what they do in a familiar setting. The ever more transgressive Wendig (Thunderbird, 2017, etc.) is not that guy. In this fifth book about Black, a harder-than-nails young woman cursed with an unforgivable gift, Wendig not only portrays the authentic arc of a troubled character, but also shows that our sins can indeed come back to haunt us, with permanent, unfixable consequences. Here, Miriam, who can see the circumstances of anyone’s death by a touch, has had it. She’s retreated to her dead mother’s house to drink, smoke, and do a little breaking and entering with an elderly neighbor. She’s haunted by The Trespasser, an otherworldly doppelgänger who warns, “The river is rising,” whatever that means, psycho. Plus, a copycat killer who resembles Miriam is replicating all the murders Miriam has committed over the years. Former FBI Agent Thomas Richard Grodsky, now writing a book about serial killers, is trying to help but is kind of useless. Later, Miriam gets help from ex-lover Louis Darling, whose violent murder of his new bride, Samantha, still lies in the future, predicted by Miriam. She also bears the burden of finding Lauren Martin, the Wren, similarly cursed, while avoiding getting her head cut off by Harriet Adams, a machete-wielding undead thing who’s proving to be quite persistent, despite a bullet to the brain. It’s possible to jump into the series here, but readers will get more satisfaction starting with Blackbirds (2012) and enjoying the entire sordid tale. Miriam is that rarest of gifts in any genre, the bloodied, beat-up antihero who does actually change over time.
Another profane, gruesome, and blackly funny entry in a great series, with an ending to die for.Pub Date: Jan. 23, 2018
ISBN: 978-1-4814-4874-1
Page Count: 288
Publisher: Saga/Simon & Schuster
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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