by Chuck Wendig ‧ RELEASE DATE: July 20, 2021
A grade-A, weirdly comforting, and familiar stew of domestic drama, slasher horror, and primeval evil.
A family that's banished itself to the woods of rural Pennsylvania finds more than they bargained for when supernatural forces decide they would make quite a snack.
Prolific and delightfully profane, Wendig pulled off a good trick last time with his sprawling, inventive, and prescient apocalypse chronicle, Wanderers (2019). This is another doorstopper, but here he returns to macabre horror reminiscent of his supernatural Miriam Black novels, injected with a juicy dose of Stephen King–like energy. An eerie opening introduces Edmund Walker Reese, a serial killer strapped into Pennsylvania’s electric chair circa 1990 for murdering four girls—a killer who disappears the second the switch is flipped. In the present day, former Philly cop Nate Graves is stewing over the death of his abusive father, who's left him a home in the woods. Maddie, Nate’s artist wife, thinks it’s perfect for her work, not to mention a natural refuge for their hypersensitive son, Oliver, who's imbued with not only a preternatural empathy for others, but also a gift for lending the pained some solace. At Nate's new job as a Fish and Game officer, his partner, Axel Figeroa, always has one eye open for trouble because of their proximity to Ramble Rocks, where Reese committed his dirty deeds, as does the Graves' neighbor Jed Homackie, a whiskey-drinking peacenik with secrets of his own. As happens, things get weird. Nate starts seeing his dead father around every corner. Maddie experiences fugue states that aren’t simpatico with her newfound predilection for chainsaw sculpture. Oliver gets the worst of it, finding himself caught between a couple of vicious bullies and a newfound frenemy, Jake, who quickly emerges as someone—or something—far darker than he appears. The characters are eccentric and likable even if their plight isn’t quite unpredictable, and the book will be catnip to horror fans, complete with meddling kids, doppelgangers, dimensional fissures, demons, and ghosts; it's a prototypical edge-of-your-seat plunge into real terror.
A grade-A, weirdly comforting, and familiar stew of domestic drama, slasher horror, and primeval evil.Pub Date: July 20, 2021
ISBN: 978-0-399-18213-6
Page Count: 544
Publisher: Del Rey
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
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by Stephen King ‧ RELEASE DATE: April 20, 2020
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.
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The master of supernatural disaster returns with four horror-laced novellas.
The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.
Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.Pub Date: April 20, 2020
ISBN: 978-1-9821-3797-7
Page Count: 448
Publisher: Scribner
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Stephen King ‧ RELEASE DATE: Sept. 6, 2022
A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.
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Narnia on the Penobscot: a grand, and naturally strange, entertainment from the ever prolific King.
What’s a person to do when sheltering from Covid? In King’s case, write something to entertain himself while reflecting on what was going on in the world outside—ravaged cities, contentious politics, uncertainty. King’s yarn begins in a world that’s recognizably ours, and with a familiar trope: A young woman, out to buy fried chicken, is mashed by a runaway plumber’s van, sending her husband into an alcoholic tailspin and her son into a preadolescent funk, driven “bugfuck” by a father who “was always trying to apologize.” The son makes good by rescuing an elderly neighbor who’s fallen off a ladder, though he protests that the man’s equally elderly German shepherd, Radar, was the true hero. Whatever the case, Mr. Bowditch has an improbable trove of gold in his Bates Motel of a home, and its origin seems to lie in a shed behind the house, one that Mr. Bowditch warns the boy away from: “ ‘Don’t go in there,’ he said. ‘You may in time, but for now don’t even think of it.’ ” It’s not Pennywise who awaits in the underworld behind the shed door, but there’s plenty that’s weird and unexpected, including a woman, Dora, whose “skin was slate gray and her face was cruelly deformed,” and a whole bunch of people—well, sort of people, anyway—who’d like nothing better than to bring their special brand of evil up to our world’s surface. King’s young protagonist, Charlie Reade, is resourceful beyond his years, but it helps that the old dog gains some of its youthful vigor in the depths below. King delivers a more or less traditional fable that includes a knowing nod: “I think I know what you want,” Charlie tells the reader, "and now you have it”—namely, a happy ending but with a suitably sardonic wink.
A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.Pub Date: Sept. 6, 2022
ISBN: 978-1-66800-217-9
Page Count: 608
Publisher: Scribner
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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