An action-packed yet cerebral thriller that lives in that murky nexus between today and the future.
A group of co-opted hackers discovers a secret government experiment gone terribly wrong.
Prolific sci-fi novelist and games enthusiast Wendig (Under the Empyrean Sky, 2013, etc.) whips up a Matrix-y bit of old-school cyberpunk updated to meet the frightening technology of the modern age. Government agent Hollis Copper is a tough old guy who's been seconded to the National Security Agency to round up a bunch of hackers for a secret project. [They’re an odd bunch. Chance Dalton is an Anonymous poser who uses dark Web tactics to out evildoers. DeAndre Mitchell uses ATM skimmers to pay for his mom’s house. Aleena Kattan uses her wicked code-breaking skills in the name of hacktivism in support of the Arab Spring. Reagan Stolper is a foulmouthed, ill-tempered troll who ruins lives in the name of “lulz.” Finally, there’s Wade Earthman, a Vietnam vet skilled in the dark arts of phishing and phreaking. They’re promised clean records if they devote a year to the NSA’s secret lodge, where pods of hackers work together to penetrate high-security networks. Things go awry when they’re charged with disrupting Iran’s nuclear program by co-opting an Iranian drone and accidentally discover a secret NSA program called Typhon and the disappearance of 13 prominent theorists. The “Zeroes” find themselves pawns in a conflict among their government captors, a renegade hacker called The Widow of Zheng, and Typhon, a sentient artificial intelligence which is growing in power and influence with every passing minute. “Because they have to be willing to accept us,” it says. “Because sometimes the child has to touch the hot stove to learn why he shouldn’t do it again. Because in chaos, there is opportunity.” This is an ambitious, bleeding-edge piece of speculative fiction that combines hacker lore, wet-wired horror, and contemporary paranoia in a propulsive adventure that’s bound to keep readers on their toes.
An action-packed yet cerebral thriller that lives in that murky nexus between today and the future.Pub Date: Aug. 18, 2015
ISBN: 978-0-06-235155-5
Page Count: 384
Publisher: Harper Voyager
Review Posted Online: June 6, 2015
Kirkus Reviews Issue: June 15, 2015
PROFILES
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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