Helms does an excellent job combining strange and colorful art, the concepts of opposites, and a tale of a friendship...

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Outside, Inside

Outside, Inside by Cindy Helms

Seussian shapes and creatures dominate this clever concept book about opposites—and friendship—by debut author/illustrator Helms. Flowers grow all over a strangely shaped metal construction; the word "outside," sided with the same type of metal collage, shows on the opposite page. The flowers remain, but the metal is gone on the next two page spread: instead of the exterior, readers see the dark interior of the building, populated by eyes of all different sizes. The word "inside," as black as the lightless inside of the building, is juxtaposed on the next page. Bird, a strange looking, multi-shaped creature with a carrot-shaped beak, can't find any of this friends, and his thoughts wondering where everyone has gone are posed in bold-colored, bright letters. He can't find them outside, but maybe if he knocks on the door… After a few pages of monstrous mutters, hurrying to finish last details (the reader presumes), the lights go on inside the building, and Bird is treated to a surprise from his friends. The creatures inside are birdlike, reptilian, or alien by turn, and are drawn in pinks, purples, greens, and golds, with springs for limbs and protruding eyes. The party makes Bird's heart grow several sizes with happiness. The text, comprised of only thirty-five words, is as much a part of the imagery as the illustrations themselves. Word balloons help reveal what Bird and the other characters are thinking, and the letters are sometimes squeezed to show the hushed volume of the creatures' voices. Most of the uses of inside/outside are truly opposites; there's only one more metaphorical use ("inside…. inside"), where Bird's heart expands and floats beyond his body (connected with a spring-like cord), that may perplex young readers. Otherwise, all the words are simple enough that very beginning readers will be able to sound them out, and may have a victory of reading a book all on their own. The weird creatures are child-friendly, and the colorful pictures are sure to appeal.

Helms does an excellent job combining strange and colorful art, the concepts of opposites, and a tale of a friendship surprise.

Pub Date: Aug. 17, 2015

ISBN: 978-0-9963397-0-4

Page Count: 33

Publisher: Set Free Publishing

Review Posted Online: July 23, 2015

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THE LORAX

The greening of Dr. Seuss, in an ecology fable with an obvious message but a savingly silly style. In the desolate land of the Lifted Lorax, an aged creature called the Once-ler tells a young visitor how he arrived long ago in the then glorious country and began manufacturing anomalous objects called Thneeds from "the bright-colored tufts of the Truffula Trees." Despite protests from the Lorax, a native "who speaks for the trees," he continues to chop down Truffulas until he drives away the Brown Bar-ba-loots who had fed on the Tuffula fruit, the Swomee-Swans who can't sing a note for the smogulous smoke, and the Humming-Fish who had hummed in the pond now glumped up with Gluppity-Glupp. As for the Once-let, "1 went right on biggering, selling more Thneeds./ And I biggered my money, which everyone needs" — until the last Truffula falls. But one seed is left, and the Once-let hands it to his listener, with a message from the Lorax: "UNLESS someone like you/ cares a whole awful lot,/ nothing is going to get better./ It's not." The spontaneous madness of the old Dr. Seuss is absent here, but so is the boredom he often induced (in parents, anyway) with one ridiculous invention after another. And if the Once-let doesn't match the Grinch for sheer irresistible cussedness, he is stealing a lot more than Christmas and his story just might induce a generation of six-year-olds to care a whole lot.

Pub Date: Aug. 12, 1971

ISBN: 0394823370

Page Count: 72

Publisher: Random House

Review Posted Online: Oct. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1971

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  • SPONSORED PLACEMENT

A killer thriller.

THREE HOURS IN PARIS

Black takes time out from chronicling the neighborhood-themed exploits of half-French detective Aimée Leduc to introduce a heroine as American as apple pie.

Kate Rees never expected to see Paris again, especially not under these circumstances. Born and bred in rural Oregon, she earned a scholarship to the Sorbonne, where she met Dafydd, a handsome Welshman who stole her heart. The start of World War II finds the couple stationed in the Orkney Islands, where Kate impresses Alfred Stepney of the War Department with the rifle skills she developed helping her dad and five brothers protect the family’s cattle. After unimaginable tragedy strikes, Stepney recruits Kate for a mission that will allow her to channel her newly ignited rage against the Germans who’ve just invaded France. She’s parachuted into the countryside, where her fluent French should help her blend in. Landing in a field, she hops a milk train to Paris, where she plans to shoot Adolf Hitler as he stands on the steps of Sacre-Coeur. Instead, she kills his admiral and has to flee through the streets of Paris, struggling to hook up with the rescuers who are supposed to extract her. Meanwhile, Gunter Hoffman, a career policeman in a wartime assignment with the Reichssicherheitsdienst security forces, is charged with finding the assassin who dared attempt to kill the Führer. It’s hard to see how it can end well for both the cop and the cowgirl. The heroine’s flight is too episodic to capitalize on Black’s skill at character development, but she’s great at raising readers’ blood pressure.

A killer thriller.

Pub Date: April 7, 2020

ISBN: N/A

Page Count: 360

Publisher: Soho Crime

Review Posted Online: May 4, 2020

Kirkus Reviews Issue: May 15, 2020

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CINDERELLA

This companion piece to the other fairy tales Marcia Brown has interpreted (see Puss In Boots, 1952, p. 548 and others) has the smoothness of a good translation and a unique charm to her feathery light pictures. The pictures have been done in sunset colors and the spreads on each page as they illustrate the story have the cumulative effect of soft cloud banks. Gentle.

Pub Date: June 15, 1954

ISBN: 0684126761

Page Count: 40

Publisher: Scribner

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: June 15, 1954

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