A book that makes a convincing health care case, supported by extensive footnotes and references to scientific journals.

READ REVIEW

The Truth About Chronic Pain Treatments

THE BEST AND WORST STRATEGIES FOR BECOMING PAIN FREE

A comprehensive, impeccably researched debut handbook that focuses on alternative treatments for chronic pain.

Perlin, a licensed clinical social worker and the former president of the Northeast Regional Biofeedback Society, runs an Albany, New York–area practice. Her primary concern is for the estimated 116 million Americans affected by chronic pain, whose treatment costs upward of $560 billion per year. She writes that she believes that current pharmaceutical treatments are sometimes ineffective and that alternative methods are “actively suppressed by the medical establishment.” Drug manufacturers, she says, can hide side effects; she also says that there might be funding bias, noting that the wealthy Mayo Clinic refuted Nobel Prize–winner Linus Pauling’s findings regarding vitamin C’s role in fighting cancer. The book starts by discussing some well-known treatment options—opioids, nonsteroidal anti-inflammatory drugs, and pain injections—but quickly branches into less-obvious territory. In comparison to pharmaceuticals, the author says, mind/body treatments are safe, cheap, and effective. Yet promising alternatives that might mitigate back and neck pain, fibromyalgia, and post-traumatic stress disorder—such as massage, nutrition, herbs, exercise, acupuncture, energy healing, laser therapy, and even marijuana—are barely on the radars of doctors or insurance companies, Perlin laments. All too often, she says, they’re dismissed as placebos, and chiropractic and homeopathy, in particular, attract negative publicity. To counter these rejections, Perlin includes an invaluable section called “Research Results” after describing each treatment type, providing details of relevant evidence-based studies that suggest health benefits. She also addresses potential side effects and gives helpful statistics and case studies—some featuring famous people, such as singer Michael Jackson and President John F. Kennedy—to show the range of experiences that people have had. The book concludes on a daring note, proposing a Pain Treatment Parity Act that would require insurers to cover all credible pain treatments equally, not just pharmaceuticals. Readers who are suffering and in need of instant solutions may not want to wade through all the research and industry information in this book. However, its all-embracing approach makes it suitable for laymen and health care providers alike.

A book that makes a convincing health care case, supported by extensive footnotes and references to scientific journals.

Pub Date: Sept. 30, 2015

ISBN: 978-0-9966862-0-4

Page Count: 302

Publisher: Morning Light Books

Review Posted Online: Jan. 18, 2016

Kirkus Reviews Issue: March 15, 2016

Did you like this book?

No Comments Yet

WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

more