A thoughtful and passionate depiction of one woman’s struggle to discover her truest self.
A young politician confronts affairs of state, the dark secrets of the past, considerable emotional turmoil, and the weather in this follow-up to the World Fantasy Award–winning Witchmark (2018).
The country of Aeland reels after the events of the previous volume, in which Dame Grace Hensley’s brother Miles discovered that the aether network (a magical equivalent of electricity) was being powered by the souls of the dead, the brutal war with neighboring Laneer was trumped up to grab Laneeri souls for the network, the Laneeri retaliated by possessing the returning Aelander soldiers and forcing them to murder innocents, and their father was complicit in most of it. The people are angry about the loss of aether, and they would be angrier still if they knew that many of the nobles were secret witches who thrust common witches into asylums to exploit their powers. As the country’s new Chancellor, Grace is supposed to calm the people, maintain the status quo, and mollify the Amaranthines, the faerylike psychopomps who condemn the aether network’s abuse of souls. As the Voice of the Invisibles, Grace must lead a cabal of unwilling mages to quell the worst storms that Aeland has seen in centuries. But she has no support from her scheming peers, and her imprisoned father, the former Chancellor and Voice, is clearly manipulating events behind the scenes. Grace would like to free the witches and finally be honest with Aeland’s people, but she fears it will cause mass riot. However, others are forcing her hand, including Miles’ friend Robin, a medical student and secret witch, and Avia Jessup, an astute and dangerously attractive former heiress–turned-reporter who’s nearing many explosive truths. Grace is an intriguing contrast with her brother Miles, protagonist of Witchmark, who has a much more black-and-white sense of morality. Grace was the designated heir to her father’s several types of power; and while she now despises him, freeing herself of his influence and ruthless love isn’t easy for her. She has good intentions toward the people of Aeland, but she has no idea about how the other half lives. She takes her comforts for granted even as she neglects her own desires in the service of others, exemplified by the narrative’s emphasis on the many meals she misses in the course of her duties.
A thoughtful and passionate depiction of one woman’s struggle to discover her truest self.Pub Date: Feb. 11, 2020
ISBN: 978-0-7653-9899-4
Page Count: 352
Publisher: Tor
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
An overlong but imaginative entry in the revived Foundation series, with a talky opening, an intriguing middle, and an illogical fade-out. Councilman Golan Trevize, having opted for the formation of a galaxy-wide, totally empathic super-organism, Galaxia, is now having second thoughts—and his doubts focus on a possible threat from the long-lost planet Earth. So, supplied with clues by historian Janes Pelorat, and protected by the powerful Gaian woman, Bliss, Trevize begins his search. (The debate pro and con Galaxia continues, meanwhile, in tiresome detail.) In the novel's best section, they touch down on various planets, including the old Spacer world Solaria, where the hermaphroditic Solarians live in solipsistic splendor, totally isolated from each other on their vast robot-run estates, casually controlling energy by means of their enlarged brains. Finally, on Earth's Moon, Trevize encounters robot Daneel Olivaw, now 20,000 years old; Daneel, with his highly advanced brain and psychic powers, has secretly been guiding the development of Galaxia all along. And, in a total non sequitur, Trevize realizes that what he really fears—why Galaxia must be formed—is the threat of invasion by extra-galactic aliens. Dreadfully long-winded—would that the characters sometimes reply with a simple "yes" or "no"—and many longtime fans will prefer Daneel as a plain old robot-detective rather than a galactic super-brain. Yet, much here qualifies as vintage Asimov—Solaria has long been one of his finest creations—despite that disappointing, artificial finale.
Pub Date: Oct. 3, 1986
ISBN: 0553900943
Page Count: -
Publisher: Doubleday
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Sept. 15, 1986
Gabaldon works a successful formula, with few surprises but plenty of devices. And yes, there’s room for a sequel—or 10.
Of haggis, gigged frogs and succubi: Continuing her Outlander series, Gabaldon (An Echo in the Bone, 2009, etc.) again pushes the boundaries of genre fiction.
Sensitive readers new to the series will want to know that Gabaldon’s leads are fond of dropping f-bombs, sometimes even in the clinical sense: “Damn you, neither one of us was making love to the other—we were both fucking you!" They’ll also want to know that, as those characters cross time and space, they’re given to the basest treacheries as well as the profoundest loyalties, which may help explain the preceding quotation. The action now takes place across the water in revolutionary America, where Jamie Fraser, one-time Jacobite rebel, now commands 10 companies of Continental militia, when, he worriedly notes, “he’d never led a band of more than fifty.” Lord John, his old Brit friend and sometime bugaboo, figures in the mischief, of course. There are twists aplenty, one of them Jamie’s Lazarus-like return from the great beyond to find—well, different domestic arrangements. Meanwhile, his child, having long since learned that it’s possible to enter “a time vortex with a gemstone” and come out safely in other eras, now has good reason to want to be not in the 20th century but back in the 18th, where, if things are just as complicated, she at least has trustworthy kin. Confused yet? With willingly suspended disbelief, it all makes sense in the end. Gabaldon’s themes are decidedly grown-up, as the in-joking chapter titles (“Frottage,” “Frannie’s Frenulum”) suggest, but the basic premise is a dash of juvenile fantasy, a jigger of historical fact and heaping helpings of counterfactuals. If you’re a Gabaldon fan, the Scottish dialect, laid on with a spade, and all those naughty asides will be a familiar pleasure. If not—well, this overly long book isn’t likely to make converts, at least not without several thousand pages of catch-up to figure out who’s who, who’s doing what, who’s doing whom, and why.
Gabaldon works a successful formula, with few surprises but plenty of devices. And yes, there’s room for a sequel—or 10.Pub Date: June 10, 2014
ISBN: 978-0-385-34443-2
Page Count: 848
Publisher: Random House
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
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