STAR CHILD

An affirmation that it is all worthwhile, better suited, perhaps, to adolescents who will appreciate a look at where they...

A fanciful, thoughtful examination of a life well-lived.

As if building on the notion that we are all made of the stuff of stars, the author opens with the Star Child asking his “elders” if he may visit Earth. Their explanations of what he will need to do—“be born as a human child”—and what he will experience throughout his life on Earth make up the text of the book. Simple lines start with the basics, such as learning to walk, run and speak, then move on to more abstract concepts, describing feelings of pleasure, fear and sadness. These are paired with detailed, folk-art–style watercolor paintings and vignettes that seem to capture an earlier time: His mother is often in skirts; he rides a bike without a helmet or shoes; and no glowing electronic devices compete with fireflies. What the Star Child may do in adulthood is condensed: “Over the years you will try to make sense of that happy, sad, full, empty, always-shifting life you are in.” He may even forget where he came from and find it difficult to leave when the time comes. There’s no doubt that the sentiment is lovely, but it seems ill-matched to an audience that is still in the throes of becoming.

An affirmation that it is all worthwhile, better suited, perhaps, to adolescents who will appreciate a look at where they have been and what they may expect in the future and to older adults who will enjoy the philosophical bent. (Picture book. 6 & up)

Pub Date: May 6, 2014

ISBN: 978-0-374-37182-1

Page Count: 40

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

NOWHERE BOY

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...

Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.

Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)

Pub Date: Aug. 7, 2018

ISBN: 978-1-250-30757-6

Page Count: 368

Publisher: Roaring Brook Press

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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