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THE RULES OF INHERITANCE

A MEMOIR

Recommended for adults in their teens, 20s and 30s who are interested in stories of loss and the aftermath of a parent's...

A young psychotherapist's nonlinear debut memoir describing myriad personal tragedies including the deaths of both parents.

Now in her early 30s, Smith lost her mother to cancer during her first year at college, and her father seven years later. An only child, she spent years struggling to come to terms with their deaths while trying to soothe her permanent sense of loneliness. The narrative jumps around in time, intercutting chapters about her teenage years with scenes from her 20s, when she lived first in New York and later in Los Angeles. She also recounts other tragedies, including her abortion and subsequent sadness, a years-long terrifying romantic relationship, her growing dependency on alcohol, her best friend's death from leukemia, her stint working for a myopically selfish magazine editor and traveling on a train in front of which a stranger jumped and died. The material is dark, no question, and some of Smith's revelations are hackneyed ("Grief is like another country"). But her voice is compelling, and the choice to write only in the present tense, even for years long past, works to heighten the scenes' emotional immediacy. Many of the chapters are preceded by lines written by Elisabeth Kübler-Ross, whose studies on the stages of grief have clearly impacted Smith. Ultimately, her memoir bears a strong resemblance to great blog-writing: simultaneously self-indulgent and, at times, surprisingly affecting.

Recommended for adults in their teens, 20s and 30s who are interested in stories of loss and the aftermath of a parent's death.

Pub Date: Feb. 2, 2012

ISBN: 978-1-59463-088-0

Page Count: 304

Publisher: Hudson Street/Penguin

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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