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PLUS ONE

A YEAR IN THE LIFE OF A HOLLYWOOD NOBODY

Mildly entertaining anecdotes that might have made good cocktail party chat. Once compiled, they add up to a bit less than...

Older sister of a successful English entertainer spends a year in her sibling’s Los Angeles digs.

The author has the good fortune to be related to Julia Fordham, a singer/songwriter who’s actually making a living. Divorced with two grown children, 41-year-old Claire is at loose ends. Meanwhile, Julia’s just rattling around in her house in L.A. Voila: a book is born! Claire moves to the West Coast to find herself, and maybe some paying work as a journalist. Much of the story revolves around her fish-out-of-water experiences in the City of Angels, with its curious customs and flaky residents. The rest is a chronicle of Muttley, the dog Julia adopts, to whom Claire takes an instant dislike. Muttley eats her shoes. Muttley gets a trainer. Muttley becomes the scruffy little heart of the family. Meanwhile, Claire tries her hand at assisting on a movie set (hates it), accompanying her sister on tour in the Philippines (the bags are so heavy) and flying with Julia to do a showcase in New York City (she repeatedly calls the big-shot producer by the wrong name). When she can put aside her fascination with George Clooney, Claire also attempts to meet a man. With the help of various positive-thinking circles and supportive friends, she does find someone. Unfortunately, he ends up being a perfect L.A. stereotype: terribly charming, wonderfully clever, afraid to commit and fond of playing the field with women at least 15 years younger than Claire. When it comes to the “plus one” parts of the title, Claire spends more time attending baby showers of famous people’s children as her sister’s date than walking the red carpet at the Oscars.

Mildly entertaining anecdotes that might have made good cocktail party chat. Once compiled, they add up to a bit less than the sum of their parts.

Pub Date: June 1, 2005

ISBN: 0-7582-0918-5

Page Count: 240

Publisher: Kensington

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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