A richly detailed portrait of Black community life, grounded in lived experience.
A son pays tribute to his mother, whose daily acts of service helped sustain the Black community of mid-20th-century Selma, Alabama.
Jones grew up as one of nine children raised by Carrie Louise Lundy Jones Hunter, a nurse and midwife who spent decades delivering babies and providing medical care to families locked out of mainstream health care by Jim Crow laws. The book moves chronologically, from stories of the author’s grandmother Hettie—the matriarch of St. Ann Street who dispensed whiskey by the shot as neighborhood medicine and sent young Carrie off to school each morning with the reminder, “you’re a Lundy wherever you go”—through accounts of Carrie’s training at Good Samaritan Hospital. Jones’ vivid rendering of these two women provides an immersive and satisfying experience. Carrie’s more than 20-year partnership with Dr. Isabelle Dumont, a German Catholic missionary physician, serves as another narrative anchor. This partnership functioned as a Catholic mission operation that provided medicine, education, and financial support to Selma’s Black families, with Carrie as its essential bridge to the community she served. The family home became a hub for mutual aid, informal medical care, and civil rights organizing. Jones and his siblings marched on Bloody Sunday at the Edmund Pettus Bridge on March 7, 1965; their uncle DeeDee, the family jokester who turned up at pea-shelling parties with a cigar stub in his mouth, turned out to be the man photographed next to John Lewis on the Time magazine cover of March 19, 1965. The text is hampered by repetition—the same lessons about service and collective responsibility circle back across chapters with diminishing force, and the prose occasionally settles into tribute when scene-setting would serve better. The inclusion of historic photographs elevates the narrative, providing faces to the names Jones has carefully assembled. Ultimately, the book offers a heartfelt and historically grounded account of the unrecognized labor that held a community together during a difficult time.
A richly detailed portrait of Black community life, grounded in lived experience.Pub Date: March 12, 2026
ISBN: 9781889101156
Page Count: 216
Publisher: N/A
Review Posted Online: yesterday
Review Program: Kirkus Indie
Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.
Remembering “Hershy.”
Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”
Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.Pub Date: April 21, 2026
ISBN: 9798217198009
Page Count: 288
Publisher: Random House
Review Posted Online: April 21, 2026
Kirkus Reviews Issue: June 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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