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AMIABLE WITH BIG TEETH

Full of now-arcane references to historical moments and political movements past but still engaging and well-paced.

Newly discovered novel by the great chronicler of the Harlem Renaissance, a sweeping satire of clashing ideologies and ambitions north of 110th Street.

“The time was ungodly tough for God’s swarthy step-children”: written in 1941, McKay’s novel describes a time a few years earlier, when Harlem was alive with talk of African-American civil rights as Franklin Roosevelt entered his third term as president. The proponents of “Aframerican”—McKay’s coinage—self-determination have a new cause in an Ethiopia beset by an invasion on the part of fascist Italy. As the novel opens, a certain Pablo Peixota, said to be Brazilian, is at the head of a boisterous crowd gathered to honor the arrival of an envoy from Haile Selassie’s besieged throne; “the Emperor of Ethiopia had condescended,” McKay writes, “to send a representative as a token of his goodwill and to give encouragement and inspiration to the efforts of the Aframericans.” Most effortful of all is a strange fellow named Professor Koazhy, who arrives “bedecked in a uniform so rare, so gorgeous, it made the people prance and shout for joy.” He aims, it seems, to outdo the emperor himself in splendor, but the good professor has other intentions. So, too, do the local Communists, who, seeing a political movement building, can’t help but want to co-opt it: “the Hands to Ethiopia was not interesting as one means of defending Ethiopia, but only as an organization that might be captured by the Marxists to help expand the gargantuanesque inflated maw of the Popular Front.” Against this backdrop of rising contention are a string of characters who, with aims ranging from the noble to the self-serving, drop in and out of the narrative. McKay writes with broad, pointed humor without resorting to lampooning, although the symbolism gets a little heavier handed as it arrives at an unexpectedly violent close.

Full of now-arcane references to historical moments and political movements past but still engaging and well-paced.

Pub Date: Feb. 7, 2017

ISBN: 978-0-14-310731-6

Page Count: 352

Publisher: Penguin

Review Posted Online: Dec. 18, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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BEFORE WE WERE YOURS

Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her...

Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.

Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children’s Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father’s cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family’s past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate’s fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book.

Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.

Pub Date: June 6, 2017

ISBN: 978-0-425-28468-1

Page Count: 352

Publisher: Ballantine

Review Posted Online: March 20, 2017

Kirkus Reviews Issue: April 1, 2017

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WASHINGTON BLACK

A thoughtful, boldly imagined ripsnorter that broadens inventive possibilities for the antebellum novel.

High adventure fraught with cliffhanger twists marks this runaway-slave narrative, which leaps, sails, and soars from Caribbean cane fields to the fringes of the frozen Arctic and across a whole ocean.

It's 1830 on the island of Barbados, and a 12-year-old slave named George Washington Black wakes up every hot morning to cruelties administered to him and other black men, women, and children toiling on a sugar plantation owned by the coldblooded Erasmus Wilde. Christopher, one of Erasmus’ brothers, is a flamboyant oddball with insatiable curiosity toward scientific matters and enlightened views on social progress. Upon first encountering young Wash, Christopher, also known as Titch, insists on acquiring him from his brother as his personal valet and research assistant. Neither Erasmus nor Wash is pleased by this transaction, and one of the Wildes' cousins, the dour, mysterious Philip, is baffled by it. But then Philip kills himself in Wash’s presence, and Christopher, knowing the boy will be unjustly blamed and executed for the death, activates his hot air balloon, the Cloud-cutter, to carry both himself and Wash northward into a turbulent storm. So begins one of the most unconventional escapes from slavery ever chronicled as Wash and Titch lose their balloon but are carried the rest of the way to America by a ship co-captained by German-born twins of wildly differing temperaments. Once in Norfolk, Virginia, they meet with a sexton with a scientific interest in dead tissue and a moral interest in ferrying other runaway slaves through the Underground Railroad. Rather than join them on their journey, Wash continues to travel with Titch for a reunion with the Wildes' father, an Arctic explorer, north of Canada. Their odyssey takes even more unexpected turns, and soon Wash finds himself alone and adrift in the unfamiliar world as “a disfigured black boy with a scientific turn of mind…running, always running from the dimmest of shadows.” Canadian novelist Edugyan (Half-Blood Blues, 2012, etc.) displays as much ingenuity and resourcefulness as her main characters in spinning this yarn, and the reader’s expectations are upended almost as often as her hero’s.

A thoughtful, boldly imagined ripsnorter that broadens inventive possibilities for the antebellum novel.

Pub Date: Sept. 19, 2018

ISBN: 978-0-525-52142-6

Page Count: 336

Publisher: Knopf

Review Posted Online: July 1, 2018

Kirkus Reviews Issue: July 15, 2018

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