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MY BROTHER’S DESTROYER

A harsh but often engaging novel rendered in incantatory country language.

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Lindemuth (Solomon Bull, 2017, etc.) tells the story of a moonshiner who goes up against the local mob in this rural noir novel.

In the woods surrounding the small town of Gleason, North Carolina, middle-aged Baer Creighton brews moonshine, nurses old heartaches, and keeps away from the local crime boss, Joe Stipe. Baer can’t lie, and he can’t abide hearing the falsehoods of others—they cause him to experience an electrical sensation that he can barely control—and so he prefers the company of his beloved pit bull, Fred, to that of people. When Stipe and his dogfighting cronies kidnap Fred and force the animal to fight for its life, the oft-drunk Baer swears revenge. At first, he believes that he’s up to the task, and he concocts a plan that will allow him to retaliate from a safe distance. Stipe, however, proves to be a brutal opponent; to survive this feud, Baer will be forced to the edge of his psyche as he confronts the lies in his past. Lindemuth writes in a Southern dialect that perfectly evokes the woods and hollows of the Carolina hills. Baer’s voice is as textured as the landscape (“All my life I got out the way so the liars and cheats could go on lying and cheating one another. I can spot a liar like nobody”), and the brutal acts that he describes are timeless and primal. Even within the bounds of this vernacular, Lindemuth manages to fashion sharp observations: “Cory Smylie was irredeemable, but given the vastness of Stipe’s enterprise, odd jobs presented that were uniquely suited to irredeemable men.” The book is on the long side and would perhaps have benefited from the removal of a few scenes. But the world of Gleason is so immersive and Baer’s vendetta so oddly compelling that readers will forgive some occasional bloat. Fans of noir tales set in rural America will particularly welcome this addition to the genre.

A harsh but often engaging novel rendered in incantatory country language.

Pub Date: Dec. 18, 2013

ISBN: 978-0-615-93824-0

Page Count: 376

Publisher: Hardgrave Enterprises

Review Posted Online: May 15, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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