A harsh but often engaging novel rendered in incantatory country language.
Lindemuth (Solomon Bull, 2017, etc.) tells the story of a moonshiner who goes up against the local mob in this rural noir novel.
In the woods surrounding the small town of Gleason, North Carolina, middle-aged Baer Creighton brews moonshine, nurses old heartaches, and keeps away from the local crime boss, Joe Stipe. Baer can’t lie, and he can’t abide hearing the falsehoods of others—they cause him to experience an electrical sensation that he can barely control—and so he prefers the company of his beloved pit bull, Fred, to that of people. When Stipe and his dogfighting cronies kidnap Fred and force the animal to fight for its life, the oft-drunk Baer swears revenge. At first, he believes that he’s up to the task, and he concocts a plan that will allow him to retaliate from a safe distance. Stipe, however, proves to be a brutal opponent; to survive this feud, Baer will be forced to the edge of his psyche as he confronts the lies in his past. Lindemuth writes in a Southern dialect that perfectly evokes the woods and hollows of the Carolina hills. Baer’s voice is as textured as the landscape (“All my life I got out the way so the liars and cheats could go on lying and cheating one another. I can spot a liar like nobody”), and the brutal acts that he describes are timeless and primal. Even within the bounds of this vernacular, Lindemuth manages to fashion sharp observations: “Cory Smylie was irredeemable, but given the vastness of Stipe’s enterprise, odd jobs presented that were uniquely suited to irredeemable men.” The book is on the long side and would perhaps have benefited from the removal of a few scenes. But the world of Gleason is so immersive and Baer’s vendetta so oddly compelling that readers will forgive some occasional bloat. Fans of noir tales set in rural America will particularly welcome this addition to the genre.
A harsh but often engaging novel rendered in incantatory country language.Pub Date: Dec. 18, 2013
ISBN: 978-0-615-93824-0
Page Count: 376
Publisher: Hardgrave Enterprises
Review Posted Online: May 15, 2017
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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