by Clemantine Wamariya & Elizabeth Weil ‧ RELEASE DATE: May 1, 2018
Not quite as attention-getting as memoirs by Ismail Beah or Scholastique Mukasonga, but a powerful record of the refugee...
Record of a childhood in flight from war and terror.
“I hated that I had to eat,” writes Wamariya. “I hated my stomach, I hated my needs.” Growing children are always hungry, but the author, forced at the age of 6 to flee her native Rwanda during the genocide of 1994, was for years as a refugee never able to satisfy those elemental needs. Intercut with her chronicle of experiences in a series of refugee camps are moments from her new life in America, where she landed at the age of 12, adopted into a welcoming home in a bit of fortune that she did not trust: “I was callous and cynical….I thought I could fool people into thinking that I was not profoundly bruised.” She had reason to worry, for on a six-year trail that passed through one African nation after another, she witnessed both generosity and depravity coupled with the constant worry that the older sister with whom she had fled would decide that she was too much of a burden and abandon her. She did not: Her sister’s presence through one fraught situation after another is a constant. Wamariya’s experiences adjusting to life in a country where, her sister declared, beer flowed from faucets and people owned six cars at a time are affecting, and there are some Cinderella moments in it, from being accepted to Yale to appearing on Oprah Winfrey’s show. But more, there are moments of potent self-reckoning; being a victim of trauma means that “you, as a person, are empty and flattened, and that violence, that theft, keeps you from embodying a life that feels like your own.” The work of finding home and feeling safe—it’s something that every foe of immigration ought to ponder; in that alone Wamariya’s narrative is valuable.
Not quite as attention-getting as memoirs by Ismail Beah or Scholastique Mukasonga, but a powerful record of the refugee experience all the same.Pub Date: May 1, 2018
ISBN: 978-0-451-49532-7
Page Count: 288
Publisher: Crown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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