A colorful and illuminating memoir of a cabaret performer.
Simon recounts his time at the fabled Moulin Rouge in Paris and how it led to his career in Hollywood in this debut book.
After a varied life in South Africa, England, and the United States as a gymnast, elite swimmer, and member of the South African Air Force, Simon was working as a water sports teacher at a resort on the Indian Ocean when he was given the opportunity to perform at the world- renowned Moulin Rouge. The 26-year-old Simon was amazed by the beautiful chaos of the cabaret, with its dancers, jugglers, acrobats, and animal acts. As one of the performers informed Simon on his first day: “The Moulin Rouge is where every show dancer wants to end up....Once you’ve danced here, you have a golden ticket to anywhere else in the world.” Simon quickly descended into the madness of the theater and the strange characters who made their livings there. Equally exotic was the city that surrounded them: Paris in 1988 was a place of great beauty and great grit, filled with tantalizing women, bacchanals, street thugs, and enterprising criminals. Simon had the opportunity to rise from a replacement background dancer to a principal performer, a position that would prepare him for the even more competitive world of Hollywood. All Simon needed to do was to focus and to keep out of trouble, but at the Moulin Rouge, that was easier said than done. With the help of co-writer Stephens, Simon has shaped his anecdotes from the time into a very readable and entertaining memoir. Flecked with quotes and references to the many writers who were captivated by Paris before Simon, the volume manages to communicate the surreal atmosphere of the city and the even more surreal environment of the cabaret. The author is perhaps a bit overly impressed with his own youthful self, making sure the reader knows just how capable and desirable he was, but for those interested in the esoteric world of the Moulin Rouge, this is a book worth reading.
A colorful and illuminating memoir of a cabaret performer.Pub Date: July 15, 2015
ISBN: 978-1-943848-92-8
Page Count: 204
Publisher: Waldorf Publishing
Review Posted Online: May 12, 2016
Kirkus Reviews Issue: June 15, 2016
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
