by Cliff Simon with Loren Stephens ‧ RELEASE DATE: July 15, 2015
A colorful and illuminating memoir of a cabaret performer.
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Simon recounts his time at the fabled Moulin Rouge in Paris and how it led to his career in Hollywood in this debut book.
After a varied life in South Africa, England, and the United States as a gymnast, elite swimmer, and member of the South African Air Force, Simon was working as a water sports teacher at a resort on the Indian Ocean when he was given the opportunity to perform at the world- renowned Moulin Rouge. The 26-year-old Simon was amazed by the beautiful chaos of the cabaret, with its dancers, jugglers, acrobats, and animal acts. As one of the performers informed Simon on his first day: “The Moulin Rouge is where every show dancer wants to end up....Once you’ve danced here, you have a golden ticket to anywhere else in the world.” Simon quickly descended into the madness of the theater and the strange characters who made their livings there. Equally exotic was the city that surrounded them: Paris in 1988 was a place of great beauty and great grit, filled with tantalizing women, bacchanals, street thugs, and enterprising criminals. Simon had the opportunity to rise from a replacement background dancer to a principal performer, a position that would prepare him for the even more competitive world of Hollywood. All Simon needed to do was to focus and to keep out of trouble, but at the Moulin Rouge, that was easier said than done. With the help of co-writer Stephens, Simon has shaped his anecdotes from the time into a very readable and entertaining memoir. Flecked with quotes and references to the many writers who were captivated by Paris before Simon, the volume manages to communicate the surreal atmosphere of the city and the even more surreal environment of the cabaret. The author is perhaps a bit overly impressed with his own youthful self, making sure the reader knows just how capable and desirable he was, but for those interested in the esoteric world of the Moulin Rouge, this is a book worth reading.
A colorful and illuminating memoir of a cabaret performer.Pub Date: July 15, 2015
ISBN: 978-1-943848-92-8
Page Count: 204
Publisher: Waldorf Publishing
Review Posted Online: May 12, 2016
Kirkus Reviews Issue: June 15, 2016
Review Program: Kirkus Indie
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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